The Last of April

"Raindrops Falling on Green Grasses" by Jennie Marie Schell

Listen to:

The Last of April (1:09)

by John Clare 

performed by Bob Gonzalez, rhapsode

Old April wanes, and her last dewy morn

Her death-bed steeps in tears:--to hail the May

New blooming blossoms 'neath the sun are born,

And all poor April's charms are swept away.

The early primrose, peeping once so gay,

Is now chok'd up with many a mounting weed,

And the poor violet we once admir'd

Creeps in the grass unsought for--flowers succeed,

Gaudy and new, and more to be desired,

And of the old the school-boy seemeth tired.

So with us all, poor April, as with thee!

Each hath his day;--the future brings my fears:

Friends may grow weary, new flowers rising be,

And my last end, like thine, be steep'd in tears.

The Tide Rises, the Tide Falls

Listen to:

The Tide Rises, the Tide Falls (1:06)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

  The tide rises, the tide falls,

  The twilight darkens, the curlew calls;

  Along the sea-sands damp and brown

  The traveller hastens toward the town,

    And the tide rises, the tide falls.

  Darkness settles on roofs and walls,

  But the sea in the darkness calls and calls;

  The little waves, with their soft, white hands,

  Efface the footprints in the sands,

    And the tide rises, the tide falls.

  The morning breaks; the steeds in their stalls

  Stamp and neigh, as the hostler calls;

  The day returns, but nevermore

  Returns the traveller to the shore,

    And the tide rises, the tide falls.

The Galaxy

Listen to:

The Galaxy (1:01)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      Torrent of light and river of the air,

      Along whose bed the glimmering stars are seen

      Like gold and silver sands in some ravine

      Where mountain streams have left their channels bare!

      The Spaniard sees in thee the pathway, where

      His patron saint descended in the sheen

      Of his celestial armor, on serene

      And quiet nights, when all the heavens were fair.

      Not this I see, nor yet the ancient fable

      Of Phaeton's wild course, that scorched the skies

      Wherever the hoofs of his hot coursers trod;

      But the white drift of worlds o'er chasms of sable,

      The star-dust, that is whirled aloft and flies

      From the invisible chariot-wheels of God.

Michael Robartes bids his Beloved be at Peace

Listen to:

Michael Robartes bids his Beloved be at Peace (1:15)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

I hear the Shadowy Horses, their long manes a-shake,

Their hoofs heavy with tumult, their eyes glimmering white;

The North unfolds above them clinging, creeping night,

The East her hidden joy before the morning break,

The West weeps in pale dew and sighs passing away,

The South is pouring down roses of crimson fire:

O vanity of Sleep, Hope, Dream, endless Desire,

The Horses of Disaster plunge in the heavy clay:

Beloved, let your eyes half close, and your heart beat

Over my heart, and your hair fall over my breast,

Drowning love’s lonely hour in deep twilight of rest,

And hiding their tossing manes and their tumultuous feet.

from The Wind Among the Reeds (1899)

This Living Hand

Listen to:

This Living Hand (:41)

 by John Keats 

performed by Bob Gonzalez, rhapsode

This living hand, now warm and capable

Of earnest grasping, would, if it were cold

And in the icy silence of the tomb,

So haunt thy days and chill thy dreaming nights

That thou wouldst wish thine own heart dry of blood

So in my veins red life might stream again,

And thou be conscience-calmed—see here it is—

I hold it towards you.

                                                 

The Fairies Dancing 1873

Listen to:

The Fairies Dancing (1:21)

by Walter de la Mare 

performed by Bob Gonzalez, rhapsode

Walter de la Mare was born this day in 1873

I heard along the early hills,

  Ere yet the lark was risen up,

Ere yet the dawn with firelight fills

  The night-dew of the bramble-cup,--

I heard the fairies in a ring

  Sing as they tripped a lilting round

Soft as the moon on wavering wing.

  The starlight shook as if with sound,

As if with echoing, and the stars

  Prankt their bright eyes with trembling gleams;

While red with war the gusty Mars

  Rained upon earth his ruddy beams.

He shone alone, low down the West,

  While I, behind a hawthorn-bush,

Watched on the fairies flaxen-tressed

  The fires of the morning flush.

Till, as a mist, their beauty died,

  Their singing shrill and fainter grew;

And daylight tremulous and wide

  Flooded the moorland through and through;

Till Urdon's copper weathercock

  Was reared in golden flame afar,

And dim from moonlit dreams awoke

  The towers and groves of Arroar.

From Fairest Creatures

Portrait of Sir John Scott

Listen to:

From Fairest Creatures (1:06)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

Sonnet I

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory:

But thou contracted to thine own bright eyes,

Feed'st thy light's flame with self-substantial fuel,

Making a famine where abundance lies,

Thy self thy foe, to thy sweet self too cruel:

Thou that art now the world's fresh ornament,

And only herald to the gaudy spring,

Within thine own bud buriest thy content,

And, tender churl, mak'st waste in niggarding:

Pity the world, or else this glutton be,

To eat the world's due, by the grave and thee.

Queen Mab

Painting by Johann Heinrich Fussli

Listen to:

Queen Mab (3:08)

by William Shakespeare  

performed by Bob Gonzalez, rhapsode

William Shakespeare was most probably born this day in 1564
(inferred from his baptismal record April 26, 1564)

from Romeo and Juliet, Act I, scene iv

Romeo is on his way to crash the Capulet's party with a group of friends, including his best friend, Mercutio. They exchange this dialogue:

ROMEO

And we mean well in going to this mask;

But 'tis no wit to go.

MERCUTIO

Why, may one ask?

ROMEO

I dream'd a dream to-night.

MERCUTIO

And so did I.

ROMEO

Well, what was yours?

MERCUTIO

That dreamers often lie.

ROMEO

In bed asleep, while they do dream things true.

to which Mercutio answers:

MERCUTIO

O, then, I see Queen Mab hath been with you.

She is the fairies' midwife, and she comes

In shape no bigger than an agate-stone

On the fore-finger of an alderman,

Drawn with a team of little atomies

Athwart men's noses as they lie asleep;

Her wagon-spokes made of long spinners' legs,

The cover of the wings of grasshoppers,

The traces of the smallest spider's web,

The collars of the moonshine's watery beams,

Her whip of cricket's bone, the lash of film,

Her wagoner a small grey-coated gnat,

Not half so big as a round little worm

Prick'd from the lazy finger of a maid;

Her chariot is an empty hazel-nut

Made by the joiner squirrel or old grub,

Time out o' mind the fairies' coachmakers.

And in this state she gallops night by night

Through lovers' brains, and then they dream of love;

O'er courtiers' knees, that dream on court'sies straight,

O'er lawyers' fingers, who straight dream on fees,

O'er ladies ' lips, who straight on kisses dream,

Which oft the angry Mab with blisters plagues,

Because their breaths with sweetmeats tainted are:

Sometime she gallops o'er a courtier's nose,

And then dreams he of smelling out a suit;

And sometime comes she with a tithe-pig's tail

Tickling a parson's nose as a' lies asleep,

Then dreams he of another benefice:

Sometime she driveth o'er a soldier's neck,

And then dreams he of cutting foreign throats,

Of breaches, ambuscadoes, Spanish blades,

Of healths five-fathom deep; and then anon

Drums in his ear, at which he starts and wakes,

And being thus frighted swears a prayer or two

And sleeps again. This is that very Mab

That plats the manes of horses in the night,

And bakes the elflocks in foul sluttish hairs,

Which once untangled, much misfortune bodes:

This is the hag, when maids lie on their backs,

That presses them and learns them first to bear,

Making them women of good carriage:

This is she--

How Can My Muse

Painting by Sir Lawrence Alma-Tadema

Listen to:

How Can My Muse (1:03)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

XXXVIII.

How can my muse want subject to invent,

While thou dost breathe, that pour'st into my verse

Thine own sweet argument, too excellent

For every vulgar paper to rehearse?

O! give thy self the thanks, if aught in me

Worthy perusal stand against thy sight;

For who's so dumb that cannot write to thee,

When thou thy self dost give invention light?

Be thou the tenth Muse, ten times more in worth

Than those old nine which rhymers invocate;

And he that calls on thee, let him bring forth

Eternal numbers to outlive long date.

If my slight muse do please these curious days,

The pain be mine, but thine shall be the praise.

Love of Nature

Listen to:

Love of Nature (1:38)

by John Clare 

performed by Bob Gonzalez, rhapsode

  I love thee, Nature, with a boundless love!
  The calm of earth, the storm of roaring woods!
  The winds breathe happiness where'er I rove!
  There's life's own music in the swelling floods!
  My heart is in the thunder-melting clouds,
  The snow-cap't mountain, and the rolling sea!
  And hear ye not the voice where darkness shrouds
  The heavens? There lives happiness for me!

  My pulse beats calmer while His lightnings play!
  My eye, with earth's delusions waxing dim,
  Clears with the brightness of eternal day!
  The elements crash round me! It is He!
  Calmly I hear His voice and never start.
  From Eve's posterity I stand quite free,
  Nor feel her curses rankle round my heart.

  Love is not here. Hope is, and at His voice—
  The rolling thunder and the roaring sea—
  My pulses leap, and with the hills rejoice;
  Then strife and turmoil are at end for me.
  No matter where life's ocean leads me on,
  For Nature is my mother, and I rest,
  When tempests trouble and the sun is gone,
  Like to a weary child upon her breast.

Michael Robartes Remembers Forgotten Beauty

Listen to:

Michael Robartes Remembers Forgotten Beauty (1:24)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

When my arms wrap you round I press

My heart upon the loveliness

That has long faded from the world;

The jewelled crowns that kings have hurled

In shadowy pools, when armies fled;

The love-tales wove with silken thread

By dreaming ladies upon cloth

That has made fat the murderous moth;

The roses that of old time were

Woven by ladies in their hair,

The dew-cold lilies ladies bore 

Through many a sacred corridor

Where such gray clouds of incense rose

That only the gods' eyes did not close:

For that pale breast and lingering hand

Come from a more dream-heavy land,

A more dream-heavy hour than this;

And when you sigh from kiss to kiss

I hear white Beauty sighing, too,

For hours when all must fade like dew

But flame on flame, deep under deep,

Throne over throne, where in half sleep

Their swords upon their iron knees

Brood her high lonely mysteries.

(from The Wind Among the Reeds)

Cosmopolite

Georgia Douglas Johnson

Listen to:

Cosmopolite (:41)

by Georgia Douglas Johnson 

performed by Bob Gonzalez, rhapsode

Not wholly this or that,
But wrought
Of alien bloods am I,
A product of the interplay
Of traveled hearts.
Estranged, yet not estranged, I stand
All comprehending;
From my estate
I view earth’s frail dilemma;
Scion of fused strength am I,
All understanding,
Nor this nor that
Contains me.

Lines Written in Early Spring

Listen to:

Lines Written in Early Spring (1:17)

by William Wordsworth 

performed by Bob Gonzalez, rhapsode

I heard a thousand blended notes,

While in a grove I sate reclined,

In that sweet mood when pleasant thoughts

Bring sad thoughts to the mind.

To her fair works did Nature link

The human soul that through me ran;

And much it grieved my heart to think

What man has made of man.

Through primrose tufts, in that green bower,

The periwinkle trailed its wreaths;

And ’tis my faith that every flower

Enjoys the air it breathes.

The birds around me hopped and played,

Their thoughts I cannot measure:—

But the least motion which they made

It seemed a thrill of pleasure.

The budding twigs spread out their fan,

To catch the breezy air;

And I must think, do all I can,

That there was pleasure there.

If this belief from heaven be sent,

If such be Nature’s holy plan,

Have I not reason to lament

What man has made of man?

Miracles

Listen to:

Miracles (1:52)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the ships with men in them,
What stranger miracles are there?

The Scarecrow

Listen to:

The Scarecrow (1:14)

by Walter de la Mare 

performed by Bob Gonzalez, rhapsode

All winter through I bow my head

  Beneath the driving rain;

The North wind powders me with snow

  And blows me black again;

At midnight 'neath a maze of stars

  I flame with glittering rime,

And stand, above the stubble, stiff

  As mail at morning-prime.

But when that child, called Spring, and all

  His host of children, come,

Scattering their buds and dew upon

  Those acres of my home,

Some rapture in my rags awakes;

  I lift void eyes and scan

The skies for crows, those ravening foes,

  Of my strange master, Man.

I watch him striding lank behind

  His clashing team, and know

Soon will the wheat swish body high

  Where once lay sterile snow;

Soon shall I gaze across a sea

  Of sun-begotten grain,

Which my unflinching watch hath sealed

  For harvest once again.

The Invitation

Listen to:

The Invitation (1:16)

by John Clare 

performed by Bob Gonzalez, rhapsode

  Come hither, my dear one, my choice one, and rare one,
  And let us be walking the meadows so fair,
  Where on pilewort and daisies the eye fondly gazes,
  And the wind plays so sweet in thy bonny brown hair.

  Come with thy maiden eye, lay silks and satins by;
  Come in thy russet or grey cotton gown;
  Come to the meads, dear, where flags, sedge, and reeds appear,
  Rustling to soft winds and bowing low down.

  Come with thy parted hair, bright eyes, and forehead bare;
  Come to the whitethorn that grows in the lane;
  To banks of primroses, where sweetness reposes,
  Come, love, and let us be happy again.

  Come where the violet flowers, come where the morning showers
  Pearl on the primrose and speedwell so blue;
  Come to that clearest brook that ever runs round the nook
  Where you and I pledged our first love so true.

The Poet Pleads with His Friend For Old Friends

W.B. Yeats in 1908

Listen to:

The Poet Pleads with His Friend For Old Friends (:36)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

Though you are in your shining days,

Voices among the crowd

And new friends busy with your praise,

Be not unkind or proud,

But think about old friends the most:

Time's bitter flood will rise,

Your beauty perish and be lost

For all eyes but these eyes.

(from The Wind Among the Reeds)

Spring Day

Listen to:

Spring Day (1:25)

by Amy Lowell 

performed by Bob Gonzalez, rhapsode

The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.

The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.

Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.

I Strode Along My Beaches

Listen to:

 I Strode Along My Beaches (:59)

by Wallace Stevens 

performed by Bob Gonzalez, rhapsode

Sonnet

'I strode along my beaches...'

John Morris 2nd pseud.

Havard Monthly, XXVIII, 5, Jul 1899, 188 Not found online

I strode along my beaches like a sea,

The sand before me stretching firm and fair;

No inland darkness cast its shadow there

And my long step was gloriously free.

The careless wind was happy company

That hurried past and did not question where;

Yet as I moved I felt a deep despair

And wonder of the thoughts that came to me.

For to my face the deep wind brought the scent

Of flowers I could not see upon the strand;

And in the sky a silent cloud was blent

With dreams of my soul's stillness; and the sand,

That had been naught to me, now trembled far

In mystery beneath the evening star.

Music

Listen to:

Music (:39)

by Percy Bysshe Shelley 

performed by Bob Gonzalez, rhapsode

Music, when soft voices die,

Vibrates in the memory—

Odours, when sweet violets sicken,

Live within the sense they quicken.

Rose leaves, when the rose is dead,

Are heaped for the belovèd's bed;

And so thy thoughts, when thou art gone,

Love itself shall slumber on.

A-Roving

Listen to:

A-Roving (:43)

by George Gordon, Lord Byron 

performed by Bob Gonzalez, rhapsode

So, we'll go no more a-roving

   So late into the night,

Though the heart be still as loving,

   And the moon be still as bright.

For the sword outwears its sheath,

   And the soul wears out the breast,

And the heart must pause to breathe,

   And love itself have rest.

Though the night was made for loving,

   And the day returns too soon,

Yet we'll go no more a-roving

   By the light of the moon.

Spring

Listen to:

Spring (:28)

by Robert Browning 

performed by Bob Gonzalez, rhapsode

from Pippa Passes, a drama 

    The year's at the spring
    And day's at the morn;
    Morning's at seven;
    The hillside's dew-pearled;
    The lark's on the wing;
    The snail's on the thorn:
    God's in His heaven—
    All's right with the world!

Poetry

Listen to:

Poetry (1:58)

by Marianne Moore 

performed by Bob Gonzalez, rhapsode

I, too, dislike it: there are things that are important beyond

      all this fiddle.

   Reading it, however, with a perfect contempt for it, one

      discovers in

   it after all, a place for the genuine.

      Hands that can grasp, eyes

      that can dilate, hair that can rise

         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because

      they are

   useful. When they become so derivative as to become

      unintelligible,

   the same thing may be said for all of us, that we

      do not admire what

      we cannot understand: the bat

         holding on upside down or in quest of something to 

eat, elephants pushing, a wild horse taking a roll, a tireless

      wolf under

   a tree, the immovable critic twitching his skin like a horse

      that feels a flea, the base-

   ball fan, the statistician--

      nor is it valid

         to discriminate against “business documents and

school-books”; all these phenomena are important. One must make

      a distinction

   however: when dragged into prominence by half poets, the

      result is not poetry,

   nor till the poets among us can be

     “literalists of

      the imagination”--above

         insolence and triviality and can present

for inspection, “imaginary gardens with real toads in them,"

      shall we have

   it. In the meantime, if you demand on the one hand,

   the raw material of poetry in

      all its rawness and

      that which is on the other hand

         genuine, you are interested in poetry.

She Was a Phantom of Delight

Listen to:

She Was a Phantom of Delight (1:42)

by William Wordsworth 

performed by Bob Gonzalez, rhapsode

William Wordsworth was born this day in 1770

She was a Phantom of delight

When first she gleamed upon my sight;

A lovely Apparition, sent

To be a moment's ornament;

Her eyes as stars of Twilight fair;

Like Twilight's, too, her dusky hair;

But all things else about her drawn

From May-time and the cheerful Dawn;

A dancing Shape, an Image gay,

To haunt, to startle, and way-lay.

I saw her upon nearer view,

A Spirit, yet a Woman too!

Her household motions light and free,

And steps of virgin-liberty;

A countenance in which did meet

Sweet records, promises as sweet;

A Creature not too bright or good

For human nature's daily food;

For transient sorrows, simple wiles,

Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene

The very pulse of the machine;

A Being breathing thoughtful breath,

A Traveller between life and death;

The reason firm, the temperate will,

Endurance, foresight, strength, and skill;

A perfect Woman, nobly planned,

To warn, to comfort, and command;

And yet a Spirit still, and bright

With something of angelic light.

The Rainbow

Photo by David Appleyard

Listen to:

The Rainbow (:31)

by Walter de La Mare 

performed by Bob Gonzalez, rhapsode

I saw the lovely arch
  Of Rainbow span the sky,
The gold sun burning
  As the rain swept by.

In bright-ringed solitude
  The showery foliage shone
One lovely moment,
  And the Bow was gone.

The Roundel

Listen to:

The Roundel (:56)

by Algernon Charles Swinburne

performed by Bob Gonzalez, rhapsode

Algernon Charles Swindburne was born this day in 1837

A roundel is wrought as a ring or a starbright sphere,

      With craft of delight and with cunning of sound unsought,

That the heart of the hearer may smile if to pleasure his ear

      A roundel is wrought.

Its jewel of music is carven of all or of aught—

      Love, laughter, or mourning—remembrance of rapture or fear—

That fancy may fashion to hang in the ear of thought.

As a bird's quick song runs round, and the hearts in us hear

      Pause answer to pause, and again the same strain caught,

So moves the device whence, round as a pearl or tear,

      A roundel is wrought.

Be Drunken

Starry Night by Vincent Van Gogh

Listen to:

Be Drunken (1:26)

by Charles Baudelaire 

translated by Arthur Symons

performed by Bob Gonzalez, rhapsode

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.

Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.

And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock, will answer you: "It is the hour to be drunken!" 

Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will.

Love (III)

Listen to:

Love (III) (1:15)

by George Herbert 

performed by Bob Gonzalez, rhapsode

Love bade me welcome. Yet my soul drew back

                              Guilty of dust and sin.

But quick-eyed Love, observing me grow slack

                             From my first entrance in,

Drew nearer to me, sweetly questioning,

                             If I lacked any thing.

A guest, I answered, worthy to be here:

                             Love said, You shall be he.

I the unkind, ungrateful? Ah my dear,

                             I cannot look on thee.

Love took my hand, and smiling did reply,

                             Who made the eyes but I?

Truth Lord, but I have marred them: let my shame

                             Go where it doth deserve.

And know you not, says Love, who bore the blame?

                             My dear, then I will serve.

You must sit down, says Love, and taste my meat:

                             So I did sit and eat.

April

Listen to:

April (:37)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

I open wide the portals of the Spring
To welcome the procession of the flowers,
With their gay banners, and the birds that sing
Their song of songs from their aerial towers.
I soften with my sunshine and my showers
The heart of earth; with thoughts of love I glide
Into the hearts of men; and with the Hours
Upon the Bull with wreathed horns I ride.

from The Poet's Calendar

The Yak

Listen to:

The Yak (:43)

by Hilaire Belloc 

performed by Bob Gonzalez, rhapsode

The Yak

          As a friend to the children

                             commend me the Yak.

            You will find it exactly the thing:

          It will carry and fetch,

                        you can ride on its back,

          Or lead it about

            with a string.

          The Tartar who dwells on the plains of Thibet

            (A desolate region of snow)

          Has for centuries made it a nursery pet,

            And surely the Tartar should know!

          Then tell your papa where the Yak can be got,

            And if he is awfully rich

          He will buy you the creature--

          or else

                  he will not.

          (I cannot be positive which.)