The Last of April

"Raindrops Falling on Green Grasses" by Jennie Marie Schell

Listen to:

The Last of April (1:09)

by John Clare 

performed by Bob Gonzalez, rhapsode

Old April wanes, and her last dewy morn

Her death-bed steeps in tears:--to hail the May

New blooming blossoms 'neath the sun are born,

And all poor April's charms are swept away.

The early primrose, peeping once so gay,

Is now chok'd up with many a mounting weed,

And the poor violet we once admir'd

Creeps in the grass unsought for--flowers succeed,

Gaudy and new, and more to be desired,

And of the old the school-boy seemeth tired.

So with us all, poor April, as with thee!

Each hath his day;--the future brings my fears:

Friends may grow weary, new flowers rising be,

And my last end, like thine, be steep'd in tears.

The Tide Rises, the Tide Falls

Listen to:

The Tide Rises, the Tide Falls (1:06)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

  The tide rises, the tide falls,

  The twilight darkens, the curlew calls;

  Along the sea-sands damp and brown

  The traveller hastens toward the town,

    And the tide rises, the tide falls.

  Darkness settles on roofs and walls,

  But the sea in the darkness calls and calls;

  The little waves, with their soft, white hands,

  Efface the footprints in the sands,

    And the tide rises, the tide falls.

  The morning breaks; the steeds in their stalls

  Stamp and neigh, as the hostler calls;

  The day returns, but nevermore

  Returns the traveller to the shore,

    And the tide rises, the tide falls.

The Galaxy

Listen to:

The Galaxy (1:01)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      Torrent of light and river of the air,

      Along whose bed the glimmering stars are seen

      Like gold and silver sands in some ravine

      Where mountain streams have left their channels bare!

      The Spaniard sees in thee the pathway, where

      His patron saint descended in the sheen

      Of his celestial armor, on serene

      And quiet nights, when all the heavens were fair.

      Not this I see, nor yet the ancient fable

      Of Phaeton's wild course, that scorched the skies

      Wherever the hoofs of his hot coursers trod;

      But the white drift of worlds o'er chasms of sable,

      The star-dust, that is whirled aloft and flies

      From the invisible chariot-wheels of God.

Michael Robartes bids his Beloved be at Peace

Listen to:

Michael Robartes bids his Beloved be at Peace (1:15)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

I hear the Shadowy Horses, their long manes a-shake,

Their hoofs heavy with tumult, their eyes glimmering white;

The North unfolds above them clinging, creeping night,

The East her hidden joy before the morning break,

The West weeps in pale dew and sighs passing away,

The South is pouring down roses of crimson fire:

O vanity of Sleep, Hope, Dream, endless Desire,

The Horses of Disaster plunge in the heavy clay:

Beloved, let your eyes half close, and your heart beat

Over my heart, and your hair fall over my breast,

Drowning love’s lonely hour in deep twilight of rest,

And hiding their tossing manes and their tumultuous feet.

from The Wind Among the Reeds (1899)

This Living Hand

Listen to:

This Living Hand (:41)

 by John Keats 

performed by Bob Gonzalez, rhapsode

This living hand, now warm and capable

Of earnest grasping, would, if it were cold

And in the icy silence of the tomb,

So haunt thy days and chill thy dreaming nights

That thou wouldst wish thine own heart dry of blood

So in my veins red life might stream again,

And thou be conscience-calmed—see here it is—

I hold it towards you.

                                                 

The Fairies Dancing 1873

Listen to:

The Fairies Dancing (1:21)

by Walter de la Mare 

performed by Bob Gonzalez, rhapsode

Walter de la Mare was born this day in 1873

I heard along the early hills,

  Ere yet the lark was risen up,

Ere yet the dawn with firelight fills

  The night-dew of the bramble-cup,--

I heard the fairies in a ring

  Sing as they tripped a lilting round

Soft as the moon on wavering wing.

  The starlight shook as if with sound,

As if with echoing, and the stars

  Prankt their bright eyes with trembling gleams;

While red with war the gusty Mars

  Rained upon earth his ruddy beams.

He shone alone, low down the West,

  While I, behind a hawthorn-bush,

Watched on the fairies flaxen-tressed

  The fires of the morning flush.

Till, as a mist, their beauty died,

  Their singing shrill and fainter grew;

And daylight tremulous and wide

  Flooded the moorland through and through;

Till Urdon's copper weathercock

  Was reared in golden flame afar,

And dim from moonlit dreams awoke

  The towers and groves of Arroar.

From Fairest Creatures

Portrait of Sir John Scott

Listen to:

From Fairest Creatures (1:06)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

Sonnet I

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory:

But thou contracted to thine own bright eyes,

Feed'st thy light's flame with self-substantial fuel,

Making a famine where abundance lies,

Thy self thy foe, to thy sweet self too cruel:

Thou that art now the world's fresh ornament,

And only herald to the gaudy spring,

Within thine own bud buriest thy content,

And, tender churl, mak'st waste in niggarding:

Pity the world, or else this glutton be,

To eat the world's due, by the grave and thee.

Queen Mab

Painting by Johann Heinrich Fussli

Listen to:

Queen Mab (3:08)

by William Shakespeare  

performed by Bob Gonzalez, rhapsode

William Shakespeare was most probably born this day in 1564
(inferred from his baptismal record April 26, 1564)

from Romeo and Juliet, Act I, scene iv

Romeo is on his way to crash the Capulet's party with a group of friends, including his best friend, Mercutio. They exchange this dialogue:

ROMEO

And we mean well in going to this mask;

But 'tis no wit to go.

MERCUTIO

Why, may one ask?

ROMEO

I dream'd a dream to-night.

MERCUTIO

And so did I.

ROMEO

Well, what was yours?

MERCUTIO

That dreamers often lie.

ROMEO

In bed asleep, while they do dream things true.

to which Mercutio answers:

MERCUTIO

O, then, I see Queen Mab hath been with you.

She is the fairies' midwife, and she comes

In shape no bigger than an agate-stone

On the fore-finger of an alderman,

Drawn with a team of little atomies

Athwart men's noses as they lie asleep;

Her wagon-spokes made of long spinners' legs,

The cover of the wings of grasshoppers,

The traces of the smallest spider's web,

The collars of the moonshine's watery beams,

Her whip of cricket's bone, the lash of film,

Her wagoner a small grey-coated gnat,

Not half so big as a round little worm

Prick'd from the lazy finger of a maid;

Her chariot is an empty hazel-nut

Made by the joiner squirrel or old grub,

Time out o' mind the fairies' coachmakers.

And in this state she gallops night by night

Through lovers' brains, and then they dream of love;

O'er courtiers' knees, that dream on court'sies straight,

O'er lawyers' fingers, who straight dream on fees,

O'er ladies ' lips, who straight on kisses dream,

Which oft the angry Mab with blisters plagues,

Because their breaths with sweetmeats tainted are:

Sometime she gallops o'er a courtier's nose,

And then dreams he of smelling out a suit;

And sometime comes she with a tithe-pig's tail

Tickling a parson's nose as a' lies asleep,

Then dreams he of another benefice:

Sometime she driveth o'er a soldier's neck,

And then dreams he of cutting foreign throats,

Of breaches, ambuscadoes, Spanish blades,

Of healths five-fathom deep; and then anon

Drums in his ear, at which he starts and wakes,

And being thus frighted swears a prayer or two

And sleeps again. This is that very Mab

That plats the manes of horses in the night,

And bakes the elflocks in foul sluttish hairs,

Which once untangled, much misfortune bodes:

This is the hag, when maids lie on their backs,

That presses them and learns them first to bear,

Making them women of good carriage:

This is she--

How Can My Muse

Painting by Sir Lawrence Alma-Tadema

Listen to:

How Can My Muse (1:03)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

XXXVIII.

How can my muse want subject to invent,

While thou dost breathe, that pour'st into my verse

Thine own sweet argument, too excellent

For every vulgar paper to rehearse?

O! give thy self the thanks, if aught in me

Worthy perusal stand against thy sight;

For who's so dumb that cannot write to thee,

When thou thy self dost give invention light?

Be thou the tenth Muse, ten times more in worth

Than those old nine which rhymers invocate;

And he that calls on thee, let him bring forth

Eternal numbers to outlive long date.

If my slight muse do please these curious days,

The pain be mine, but thine shall be the praise.

Love of Nature

Listen to:

Love of Nature (1:38)

by John Clare 

performed by Bob Gonzalez, rhapsode

  I love thee, Nature, with a boundless love!
  The calm of earth, the storm of roaring woods!
  The winds breathe happiness where'er I rove!
  There's life's own music in the swelling floods!
  My heart is in the thunder-melting clouds,
  The snow-cap't mountain, and the rolling sea!
  And hear ye not the voice where darkness shrouds
  The heavens? There lives happiness for me!

  My pulse beats calmer while His lightnings play!
  My eye, with earth's delusions waxing dim,
  Clears with the brightness of eternal day!
  The elements crash round me! It is He!
  Calmly I hear His voice and never start.
  From Eve's posterity I stand quite free,
  Nor feel her curses rankle round my heart.

  Love is not here. Hope is, and at His voice—
  The rolling thunder and the roaring sea—
  My pulses leap, and with the hills rejoice;
  Then strife and turmoil are at end for me.
  No matter where life's ocean leads me on,
  For Nature is my mother, and I rest,
  When tempests trouble and the sun is gone,
  Like to a weary child upon her breast.