Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Sunday, May 31, 2020

Metaphysics


Listen to: 

Metaphysics (1:08)

by Oliver Herford 

performed by Bob Gonzalez, rhapsode

Why and Wherefore set out one day
       To hunt for a wild Negation.
They agreed to meet at a cool retreat
       On the Point of Interrogation.

But the night was dark and they missed their mark,
       And, driven well-nigh to distraction,
They lost their ways in a murky maze
       Of utter abstruse abstraction.

Then they took a boat and were soon afloat
       On a sea of Speculation,
But the sea grew rough, and their boat, though tough,
       Was split into an Equation.

As they floundered about in the waves of doubt
       Rose a fearful Hypothesis,
Who gibbered with glee as they sank in the sea,
       And the last they saw was this:

On a rock-bound reef of Unbelief
       There sat the wild Negation;
Then they sank once more and were washed ashore
       At the Point of Interrogation.


Monday, February 6, 2017

Sunrise


Listen to: 

Sunrise* (1:21)

Lizette Woodworth Reese  

performed by Bob Gonzalez, rhapsode

The east is yellow as a daffodil.
Three steeples—three stark swarthy arms—are thrust 
Up from the town. The gnarlèd poplars thrill
Down the long street in some keen salty gust— 
Straight from the sea and all the sailing ships—
Turn white, black, white again, with noises sweet 
And swift. Back to the night the last star slips.
High up the air is motionless, a sheet
Of light. The east grows yellower apace,
And trembles: then, once more, and suddenly,
The salt wind blows, and in that moment’s space 
Flame roofs, and poplar-tops, and steeples three; 

From out the mist that wraps the river-ways,
The little boats, like torches, start ablaze. 

* I recorded this poem and posted it on March 11, 2016. Without realizing it, I recorded it again recently and am now posting this version. If you compare the two versions, there are some subtle but interesting differences. In any case, you might have missed the first version and might enjoy this other one. And good poems are worth repeating.

Sunday, February 5, 2017

Richard Cory


Listen to:

Richard Cory (1:00)

by Edward Arlington Robinson 

performed by Bob Gonzalez, rhapsode


Whenever Richard Cory went down town, 
We people on the pavement looked at him: 
He was a gentleman from sole to crown, 
Clean favored, and imperially slim.

And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said, 
"Good-morning," and he glittered when he walked.

And he was rich, — yes, richer than a king, — 
And admirably schooled in every grace:
In fine, we thought that he was everything 
To make us wish that we were in his place.

So on we worked, and waited for the light,
And went without the meat, and cursed the bread; 
And Richard Cory, one calm summer night,

Went home and put a bullet through his head.


Sunday, June 12, 2016

Come Lovely and Soothing Death


Listen to:

 Come Lovely and Soothing Death (1:26)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

from "When Lilacs Last in the Dooryard Bloom’d"
from Leaves of Grass
by Walt Whitman

Come lovely and soothing death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later delicate death.

Prais'd be the fathomless universe,
For life and joy, and for objects and knowledge curious,
And for love, sweet love--but praise! praise! praise!
For the sure-enwinding arms of cool-enfolding death.

Dark mother always gliding near with soft feet,
Have none chanted for thee a chant of fullest welcome?
Then I chant it for thee, I glorify thee above all,
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach strong deliveress,
When it is so, when thou hast taken them I joyously sing the dead,
Lost in the loving floating ocean of thee,
Laved in the flood of thy bliss O death.

Wednesday, June 1, 2016

June

Listen to:

June (:41)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

Mine is the Month of Roses; yes, and mine
The Month of Marriages! All pleasant sights
And scents, the fragrance of the blossoming vine,
The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights;
The mower's scythe makes music to my ear;
I am the mother of all dear delights;
I am the fairest daughter of the year.


Photo from Pat @ Mille Fiori Favoriti
http://millefiorifavoriti.blogspot.com/2010/06/pink-roses-in-cranford-rose-garden.html

Tuesday, May 31, 2016

A Song of Joys


Listen to:

A Song of Joys (1:36)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

Walt Whitman was born this day is 1819 in West Hills, near Huntington, Long Island

  O to make the most jubilant song!
  Full of music--full of manhood, womanhood, infancy!
  Full of common employments--full of grain and trees.

  O for the voices of animals--O for the swiftness and balance of fishes!
  O for the dropping of raindrops in a song!
  O for the sunshine and motion of waves in a song!

 ….

  O to sail to sea in a ship!
  To leave this steady unendurable land,
  To leave the tiresome sameness of the streets, the sidewalks and the
      houses,
  To leave you O you solid motionless land, and entering a ship,
  To sail and sail and sail!

  O to have life henceforth a poem of new joys!
  To dance, clap hands, exult, shout, skip, leap, roll on, float on!
  To be a sailor of the world bound for all ports,
  A ship itself, (see indeed these sails I spread to the sun and air,)
  A swift and swelling ship full of rich words, full of joys.


Sunday, May 22, 2016

Dirge

Listen to:

Dirge (:43)

by Edna St. Vincent Millay 

performed by Bob Gonzalez, rhapsode


     Boys and girls that held her dear,
       Do your weeping now;
     All you loved of her lies here.

     Brought to earth the arrogant brow,
       And the withering tongue
     Chastened; do your weeping now.

     Sing whatever songs are sung,
       Wind whatever wreath,
     For a playmate perished young,

     For a spirit spent in death.
     Boys and girls that held her dear,
     All you loved of her lies here.


Monday, May 16, 2016

A Dance for Rain

Listen to:

A Dance for Rain (4:25)

by Witter Bynner 

performed by Bob Gonzalez, rhapsode


Used with permission from The Witter Bynner Foundation for Poetry,
which retains full rights to the text of this poem. 

Painting "Embers" by Tony Abeyta
http://www.tonyabeyta.com/


You may never see rain, unless you see
A dance for rain at Cochiti,
Never hear thunder in the air
Unless you hear the thunder there,
Nor know the lightning in the sky
If there’s no pole to know it by …
They dipped the pole just as I came,
And I can never be the same
Since those feathers gave my brow
The touch of wind that’s on it now,
Bringing over the arid lands
Butterfly gestures from Hopi hands
And holding me, till earth shall fail,
As close to earth as a fox’s tail.

I saw them, naked, dance in line 
Before the candles of a leafy shrine;
Before a saint in a Christian dress
I saw them dance their holiness,
I saw them reminding him all day long
That death is weak and life is strong
And urging the fertile earth to yield
Seed from the loin and seed from the field.
A feather in the hair and a shell at the throat
Were lifting and falling with every note
Of the chorus-voices and the drum,
Calling for the rain to come.
A fox on the back, and shaken on the thigh
Rain cloth woven from the sky,
And under the knee a turtle-rattle
Clacking with the toes of sheep and cattle —
These were the men, their bodies painted
Earthen, with a white rain slanted;
These were the men, a windy line,
Their elbows green with a growth of pine.
And in among them, close and slow,
Women moved the way things grow,
With a mesa-tablet on the head
And a little grassy creeping tread
And with sprays of pine moved back and forth,
While the dance of the men blew from the north,
Blew from the south and east and west
Over the field and over the breast.
And the heart was beating in the drum.
Beating for the rain to come.

Dead men out of earlier lives,
Leaving their graves, leaving their wives,
Were partly flesh and partly clay,
And their heads were corn that was dry and gray.
They were ghosts of men and once again
They were dancing like a ghost of rain;
For the spirits of men, the more they eat,
Have happier hands and lighter feet,
And the better they dance the better they know
How to make corn and children grow.

And so in Cochiti that day
They slowly put the sun away
And they made a cloud and they made it break
And they made it rain for the children’s sake.
And they never stopped the song or the drum
Pounding for the rain to come.

The rain made many suns to shine,
Golden bodies in a line
With leaping feather and swaying pine.
And the brighter the bodies, the brighter the rain
As thunder heaped it on the plain.
Arroyos had been empty, dry,
But now were running with the sky;
And the dancers’ feet were in a lake,
Dancing for the people’s sake.
And the hands of a ghost had made a cup
For scooping handfuls of water up;
And he poured it into a ghostly throat,
And he leaped and waved with every note
Of the dancers’ feet and the songs of the drum
That had called the rain and made it come.

For this was not a god of wood,
This was a god whose touch was good,
You could lie down in him and roll
And wet your body and wet your soul;
For this was not a god in a book,
This was a god that you tasted and took
Into a cup that you made with your hands,
Into your children and into your lands —
This was a god that you could see,

Rain, rain in Cochiti!


Friday, May 13, 2016

Nature


Listen to:

Nature (:56)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      As a fond mother when the day is o'er
      Leads by the hand her little child to bed,
      Half willing, half reluctant to be led,
      And leave his broken playthings on the floor,
      Still gazing at them through the open door,
      Nor wholly reassured and comforted
      By promises of others in their stead
      Which, though more splendid, may not please him more.
      So Nature deals with us and takes away
      Our playthings one by one, and by the hand
      Leads us to rest so gently, that we go,
      Scarce knowing if we wished to go or stay,
      Being too full of sleep to understand
      How far the unknown transcends the what we know.


Sunday, May 8, 2016

After the Sea-Ship


Listen to:

After the Sea-Ship (1:24)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

  After the sea-ship, after the whistling winds,
  After the white-gray sails taut to their spars and ropes,
  Below, a myriad myriad waves hastening, lifting up their necks,
  Tending in ceaseless flow toward the track of the ship,
  Waves of the ocean bubbling and gurgling, blithely prying,
  Waves, undulating waves, liquid, uneven, emulous waves,
  Toward that whirling current, laughing and buoyant, with curves,
  Where the great vessel sailing and tacking displaced the surface,
  Larger and smaller waves in the spread of the ocean yearnfully flowing,
  The wake of the sea-ship after she passes, flashing and frolicsome
      under the sun,
  A motley procession with many a fleck of foam and many fragments,
  Following the stately and rapid ship, in the wake following.

Saturday, May 7, 2016

Mezzo Cammin


Listen to:

Mezzo Cammin (1:05)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode


Half of my life is gone, and I have let 
   The years slip from me and have not fulfilled 
   The aspiration of my youth, to build 
   Some tower of song with lofty parapet. 
Not indolence, nor pleasure, nor the fret 
   Of restless passions that would not be stilled, 
   But sorrow, and a care that almost killed, 
   Kept me from what I may accomplish yet; 
Though, half-way up the hill, I see the Past 
   Lying beneath me with its sounds and sights,— 
   A city in the twilight dim and vast, 
With smoking roofs, soft bells, and gleaming lights,— 
   And hear above me on the autumnal blast 
   The cataract of Death far thundering from the heights.

Thursday, May 5, 2016

A Light Exists in Spring


Listen to:

A Light Exists in Spring (:57)

by Emily Dickinson 

performed by Bob Gonzalez, rhapsode


A light exists in spring
  Not present on the year
At any other period.
  When March is scarcely here

A color stands abroad
  On solitary hills
That silence cannot overtake,
  But human nature feels.

It waits upon the lawn;
  It shows the furthest tree
Upon the furthest slope we know;
  It almost speaks to me.
  
Then, as horizons step,
  Or noons report away,
Without the formula of sound,
  It passes, and we stay:

A quality of loss
  Affecting our content,
As trade had suddenly encroached
  Upon a sacrament.

      

Wednesday, May 4, 2016

May

Listen to:

May (:36)

by Sara Teasdale 

performed by Bob Gonzalez, rhapsode


The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May. 



Tuesday, May 3, 2016

May Night

Listen to:

May Night (:35)

by Sara Teasdale 

performed by Bob Gonzalez, rhapsode

The spring is fresh and fearless
And every leaf is new,
The world is brimmed with moonlight,
The lilac brimmed with dew.

Here in the moving shadows
I catch my breath and sing--
My heart is fresh and fearless
And over-brimmed with spring. 

Monday, May 2, 2016

May

Listen to:

May (:40)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode


from The Poet's Calendar

Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o'er all the land from far away
The breath and bloom of the Hesperides,
My birthplace. I am Maia. I am May.

Friday, April 29, 2016

The Tide Rises, the Tide Falls

Listen to:

The Tide Rises, the Tide Falls (1:06)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

  The tide rises, the tide falls,
  The twilight darkens, the curlew calls;
  Along the sea-sands damp and brown
  The traveller hastens toward the town,
    And the tide rises, the tide falls.

  Darkness settles on roofs and walls,
  But the sea in the darkness calls and calls;
  The little waves, with their soft, white hands,
  Efface the footprints in the sands,
    And the tide rises, the tide falls.

  The morning breaks; the steeds in their stalls
  Stamp and neigh, as the hostler calls;
  The day returns, but nevermore
  Returns the traveller to the shore,
    And the tide rises, the tide falls.


Thursday, April 28, 2016

The Galaxy

Listen to:

The Galaxy (1:01)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      Torrent of light and river of the air,
      Along whose bed the glimmering stars are seen
      Like gold and silver sands in some ravine
      Where mountain streams have left their channels bare!
      The Spaniard sees in thee the pathway, where
      His patron saint descended in the sheen
      Of his celestial armor, on serene
      And quiet nights, when all the heavens were fair.
      Not this I see, nor yet the ancient fable
      Of Phaeton's wild course, that scorched the skies
      Wherever the hoofs of his hot coursers trod;
      But the white drift of worlds o'er chasms of sable,
      The star-dust, that is whirled aloft and flies
      From the invisible chariot-wheels of God.


Tuesday, April 19, 2016

Cosmopolite

Georgia Douglas Johnson

Listen to:

Cosmopolite (:41)

by Georgia Douglas Johnson 

performed by Bob Gonzalez, rhapsode


Not wholly this or that,
But wrought
Of alien bloods am I,
A product of the interplay
Of traveled hearts.
Estranged, yet not estranged, I stand
All comprehending;
From my estate
I view earth’s frail dilemma;
Scion of fused strength am I,
All understanding,
Nor this nor that
Contains me.

Sunday, April 17, 2016

Miracles


Listen to:

Miracles (1:52)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode


Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the ships with men in them,
What stranger miracles are there?

Wednesday, April 13, 2016

Spring Day


Listen to:

Spring Day (1:25)

by Amy Lowell 

performed by Bob Gonzalez, rhapsode

The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air.

The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light.

Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.