Showing posts with label verse. Show all posts
Showing posts with label verse. Show all posts

Sunday, May 31, 2020

Metaphysics


Listen to: 

Metaphysics (1:08)

by Oliver Herford 

performed by Bob Gonzalez, rhapsode

Why and Wherefore set out one day
       To hunt for a wild Negation.
They agreed to meet at a cool retreat
       On the Point of Interrogation.

But the night was dark and they missed their mark,
       And, driven well-nigh to distraction,
They lost their ways in a murky maze
       Of utter abstruse abstraction.

Then they took a boat and were soon afloat
       On a sea of Speculation,
But the sea grew rough, and their boat, though tough,
       Was split into an Equation.

As they floundered about in the waves of doubt
       Rose a fearful Hypothesis,
Who gibbered with glee as they sank in the sea,
       And the last they saw was this:

On a rock-bound reef of Unbelief
       There sat the wild Negation;
Then they sank once more and were washed ashore
       At the Point of Interrogation.


Saturday, February 11, 2017

Dirge from Cymbeline


Listen to: 

Dirge from Cymbeline (1:20)

William Shakespeare 

performed by Bob Gonzalez, rhapsode


Fear no more the heat o' the sun,
Nor the furious winter's rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o' the great;
Thou art past the tyrant's stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning flash,
Nor the all-dreaded thunder-stone;
Fear not slander, censure rash;
Thou hast finish'd joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.

No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;

And renowned be thy grave!            ---  Act 4, scene 2

Monday, February 6, 2017

Sunrise


Listen to: 

Sunrise* (1:21)

Lizette Woodworth Reese  

performed by Bob Gonzalez, rhapsode

The east is yellow as a daffodil.
Three steeples—three stark swarthy arms—are thrust 
Up from the town. The gnarlèd poplars thrill
Down the long street in some keen salty gust— 
Straight from the sea and all the sailing ships—
Turn white, black, white again, with noises sweet 
And swift. Back to the night the last star slips.
High up the air is motionless, a sheet
Of light. The east grows yellower apace,
And trembles: then, once more, and suddenly,
The salt wind blows, and in that moment’s space 
Flame roofs, and poplar-tops, and steeples three; 

From out the mist that wraps the river-ways,
The little boats, like torches, start ablaze. 

* I recorded this poem and posted it on March 11, 2016. Without realizing it, I recorded it again recently and am now posting this version. If you compare the two versions, there are some subtle but interesting differences. In any case, you might have missed the first version and might enjoy this other one. And good poems are worth repeating.

Sunday, June 12, 2016

Come Lovely and Soothing Death


Listen to:

 Come Lovely and Soothing Death (1:26)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

from "When Lilacs Last in the Dooryard Bloom’d"
from Leaves of Grass
by Walt Whitman

Come lovely and soothing death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later delicate death.

Prais'd be the fathomless universe,
For life and joy, and for objects and knowledge curious,
And for love, sweet love--but praise! praise! praise!
For the sure-enwinding arms of cool-enfolding death.

Dark mother always gliding near with soft feet,
Have none chanted for thee a chant of fullest welcome?
Then I chant it for thee, I glorify thee above all,
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach strong deliveress,
When it is so, when thou hast taken them I joyously sing the dead,
Lost in the loving floating ocean of thee,
Laved in the flood of thy bliss O death.

Wednesday, June 1, 2016

June

Listen to:

June (:41)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

Mine is the Month of Roses; yes, and mine
The Month of Marriages! All pleasant sights
And scents, the fragrance of the blossoming vine,
The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights;
The mower's scythe makes music to my ear;
I am the mother of all dear delights;
I am the fairest daughter of the year.


Photo from Pat @ Mille Fiori Favoriti
http://millefiorifavoriti.blogspot.com/2010/06/pink-roses-in-cranford-rose-garden.html

Tuesday, May 31, 2016

A Song of Joys


Listen to:

A Song of Joys (1:36)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

Walt Whitman was born this day is 1819 in West Hills, near Huntington, Long Island

  O to make the most jubilant song!
  Full of music--full of manhood, womanhood, infancy!
  Full of common employments--full of grain and trees.

  O for the voices of animals--O for the swiftness and balance of fishes!
  O for the dropping of raindrops in a song!
  O for the sunshine and motion of waves in a song!

 ….

  O to sail to sea in a ship!
  To leave this steady unendurable land,
  To leave the tiresome sameness of the streets, the sidewalks and the
      houses,
  To leave you O you solid motionless land, and entering a ship,
  To sail and sail and sail!

  O to have life henceforth a poem of new joys!
  To dance, clap hands, exult, shout, skip, leap, roll on, float on!
  To be a sailor of the world bound for all ports,
  A ship itself, (see indeed these sails I spread to the sun and air,)
  A swift and swelling ship full of rich words, full of joys.


Tuesday, May 24, 2016

May Song

Listen to:

May Song (1:18)

by Johann Wolfgang von Goethe

translated by A. S. Kline* 

performed by Bob Gonzalez, rhapsode

How sweetly Nature
Brightens round me!
How the sun’s shining!
How the fields gleam!

Blossoms are bursting
From every leaf,
Thousands of voices
From bushes beneath,

And joy and bliss
From every eye.
O Earth, O Sun!
O Joy, O Delight.

O Love, O Love!
So golden fair,
Like morning clouds
On the hillside there!

Your splendour blesses
The fields so fresh,
The whole wide world
In a blossoming mist.

O Darling, Darling,
How I love you!
How your eyes shine!
How you love too!

So the lark loves
Singing on high,
And flowers at dawn
The scented sky,

As I love you
With veins on fire,
You who give me
Youth, Joy, Desire

For new dances
New poetry.
Be happy forever,
As you love me!



Monday, May 23, 2016

Imagination

Listen to:

Imagination  (1:08)

by John Davidson 

performed by Bob Gonzalez, rhapsode


There is a dish to hold the sea,
  A brazier to contain the sun,
A compass for the galaxy,
  A voice to wake the dead and done!

That minister of ministers,
  Imagination, gathers up
The undiscovered Universe,
  Like jewels in a jasper cup.
  
Its flame can mingle north and south;
  Its accent with the thunder strive;
The ruddy sentence of its mouth
  Can make the ancient dead alive.

The mart of power, the fount of will,
  The form and mould of every star,
The source and bound of good and ill,
  The key of all the things that are,

Imagination, new and strange
  In every age, can turn the year;
Can shift the poles and lightly change
  The mood of men, the world's career.


Friday, May 20, 2016

The Eternal Saki


Listen to:

The Eternal Saki (1:05)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 44, 46-47
translated by Edward Fitzgerald

XLIV
    Why, if the Soul can fling the Dust aside,
    And naked on the Air of Heaven ride,
    Were't not a Shame--were't not a Shame for him
    In this clay carcase crippled to abide?

XLVI
    And fear not lest Existence closing your
    Account, and mine, should know the like no more;
    The Eternal Saki from that Bowl has pour'd
    Millions of Bubbles like us, and will pour.

    XLVII
    When You and I behind the Veil are past,
    Oh, but the long, long while the World shall last,
    Which of our Coming and Departure heeds
    As the Sea's self should heed a pebble-cast.


Thursday, May 19, 2016

Angel of the Darker Drink


Listen to:

Angel of the Darker Drink (:47)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 42-43
translated by Edward Fitzgerald

XLII
    And if the Wine you drink, the Lip you press
    End in what All begins and ends in--Yes;
    Think then you are To-day what Yesterday
    You were--To-morrow You shall not be less.


    XLIII
    So when that Angel of the darker Drink
    At last shall find you by the river-brink,
    And, offering his Cup, invite your Soul
    Forth to your Lips to quaff--you shall not shrink.



Wednesday, May 18, 2016

Like an Empty Cup


Listen to:

Like an Empty Cup (:59)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 38-40
translated by Edward Fitzgerald

XXXVIII
    And has not such a Story from of Old
    Down Man's successive generations roll'd
    Of such a clod of saturated Earth
    Cast by the Maker into Human mould?


    XXXIX
    And not a drop that from our Cups we throw
    For Earth to drink of, but may steal below
    To quench the fire of Anguish in some Eye
    There hidden--far beneath, and long ago.


    XL
    As then the Tulip for her morning sup
    Of Heav'nly Vintage from the soil looks up,
    Do you devoutly do the like, till Heav'n
    To Earth invert you--like an empty Cup.

Tuesday, May 17, 2016

The Secret of My Life


Listen to:

The Secret of My Life (1:04)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 35-37
translated by Edward Fitzgerald

    XXXV
    Then to the lip of this poor earthen Urn
    I lean'd, the Secret of my Life to learn:
    And Lip to Lip it murmur'd--"While you live
    Drink!--for, once dead, you never shall return."

    XXXVI
    I think the Vessel, that with fugitive
    Articulation answer'd, once did live,
    And drink; and Ah! the passive Lip I kiss'd,
    How many Kisses might it take--and give!

    XXXVII
    For I remember stopping by the way
    To watch a Potter thumping his wet Clay:
    And with its all-obliterated Tongue
    It murmur'd--"Gently, Brother, gently, pray!"



Monday, May 16, 2016

A Dance for Rain

Listen to:

A Dance for Rain (4:25)

by Witter Bynner 

performed by Bob Gonzalez, rhapsode


Used with permission from The Witter Bynner Foundation for Poetry,
which retains full rights to the text of this poem. 

Painting "Embers" by Tony Abeyta
http://www.tonyabeyta.com/


You may never see rain, unless you see
A dance for rain at Cochiti,
Never hear thunder in the air
Unless you hear the thunder there,
Nor know the lightning in the sky
If there’s no pole to know it by …
They dipped the pole just as I came,
And I can never be the same
Since those feathers gave my brow
The touch of wind that’s on it now,
Bringing over the arid lands
Butterfly gestures from Hopi hands
And holding me, till earth shall fail,
As close to earth as a fox’s tail.

I saw them, naked, dance in line 
Before the candles of a leafy shrine;
Before a saint in a Christian dress
I saw them dance their holiness,
I saw them reminding him all day long
That death is weak and life is strong
And urging the fertile earth to yield
Seed from the loin and seed from the field.
A feather in the hair and a shell at the throat
Were lifting and falling with every note
Of the chorus-voices and the drum,
Calling for the rain to come.
A fox on the back, and shaken on the thigh
Rain cloth woven from the sky,
And under the knee a turtle-rattle
Clacking with the toes of sheep and cattle —
These were the men, their bodies painted
Earthen, with a white rain slanted;
These were the men, a windy line,
Their elbows green with a growth of pine.
And in among them, close and slow,
Women moved the way things grow,
With a mesa-tablet on the head
And a little grassy creeping tread
And with sprays of pine moved back and forth,
While the dance of the men blew from the north,
Blew from the south and east and west
Over the field and over the breast.
And the heart was beating in the drum.
Beating for the rain to come.

Dead men out of earlier lives,
Leaving their graves, leaving their wives,
Were partly flesh and partly clay,
And their heads were corn that was dry and gray.
They were ghosts of men and once again
They were dancing like a ghost of rain;
For the spirits of men, the more they eat,
Have happier hands and lighter feet,
And the better they dance the better they know
How to make corn and children grow.

And so in Cochiti that day
They slowly put the sun away
And they made a cloud and they made it break
And they made it rain for the children’s sake.
And they never stopped the song or the drum
Pounding for the rain to come.

The rain made many suns to shine,
Golden bodies in a line
With leaping feather and swaying pine.
And the brighter the bodies, the brighter the rain
As thunder heaped it on the plain.
Arroyos had been empty, dry,
But now were running with the sky;
And the dancers’ feet were in a lake,
Dancing for the people’s sake.
And the hands of a ghost had made a cup
For scooping handfuls of water up;
And he poured it into a ghostly throat,
And he leaped and waved with every note
Of the dancers’ feet and the songs of the drum
That had called the rain and made it come.

For this was not a god of wood,
This was a god whose touch was good,
You could lie down in him and roll
And wet your body and wet your soul;
For this was not a god in a book,
This was a god that you tasted and took
Into a cup that you made with your hands,
Into your children and into your lands —
This was a god that you could see,

Rain, rain in Cochiti!


Thursday, May 12, 2016

Your Noble Son is Mad


Listen to:

Your Noble Son is Mad (3:01)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

as Polonius
and with Bobby Ann Loper as Gertrude

from Hamlet, Act II, scene ii

LORD POLONIUS
My liege, and madam, to expostulate
What majesty should be, what duty is,
Why day is day, night night, and time is time,
Were nothing but to waste night, day and time.
Therefore, since brevity is the soul of wit,
And tediousness the limbs and outward flourishes,
I will be brief: your noble son is mad:
Mad call I it; for, to define true madness,
What is't but to be nothing else but mad?
But let that go.

QUEEN GERTRUDE
More matter, with less art.

LORD POLONIUS
Madam, I swear I use no art at all.
That he is mad, 'tis true: 'tis true 'tis pity;
And pity 'tis 'tis true: a foolish figure;
But farewell it, for I will use no art.
Mad let us grant him, then: and now remains
That we find out the cause of this effect,
Or rather say, the cause of this defect,
For this effect defective comes by cause:
Thus it remains, and the remainder thus. Perpend.
I have a daughter--have while she is mine--
Who, in her duty and obedience, mark,
Hath given me this: now gather, and surmise.

'To the celestial and my soul's idol, the most
beautified Ophelia,'--

That's an ill phrase, a vile phrase; 'beautified' is
a vile phrase: but you shall hear. Thus:

'In her excellent white bosom, these, & c.'

QUEEN GERTRUDE
Came this from Hamlet to her?

LORD POLONIUS
Good madam, stay awhile; I will be faithful.

'Doubt thou the stars are fire;
Doubt that the sun doth move;
Doubt truth to be a liar;
But never doubt I love.
'O dear Ophelia, I am ill at these numbers;
I have not art to reckon my groans: but that
I love thee best, O most best, believe it. Adieu.
'Thine evermore most dear lady, whilst
this machine is to him, HAMLET.'

This, in obedience, hath my daughter shown me,
And more above, hath his solicitings,
As they fell out by time, by means and place,
All given to mine ear.

Monday, May 9, 2016

Nuptial Verse


Listen to:

Nuptial Verse (1:25)

by Robert Herrick 

performed by Bob Gonzalez, rhapsode


To Mistress Elizabeth Lee, now Lady Tracy

Spring with the lark, most comely bride, and meet 
Your eager bridegroom with auspicious feet. 
The morn's far spent, and the immortal sun 
Corals* his cheek to see those rites not done. 
Fie, lovely maid ! Indeed you are too slow, 
When to the temple Love should run, not go. 
Dispatch your dressing then, and quickly wed ; 
Then feast, and coy't a little, then to bed. 
This day is Love's day, and this busy night 
Is yours, in which you challenged are to fight 
With such an arm'd, but such an easy foe, 
As will, if you yield, lie down conquer'd too. 
The field is pitch'd, but such must be your wars, 
As that your kisses must outvie the stars. 
Fall down together vanquished both, and lie 
Drown'd in the blood of rubies there, not die.


*Corals, reddens.

Sunday, May 8, 2016

After the Sea-Ship


Listen to:

After the Sea-Ship (1:24)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

  After the sea-ship, after the whistling winds,
  After the white-gray sails taut to their spars and ropes,
  Below, a myriad myriad waves hastening, lifting up their necks,
  Tending in ceaseless flow toward the track of the ship,
  Waves of the ocean bubbling and gurgling, blithely prying,
  Waves, undulating waves, liquid, uneven, emulous waves,
  Toward that whirling current, laughing and buoyant, with curves,
  Where the great vessel sailing and tacking displaced the surface,
  Larger and smaller waves in the spread of the ocean yearnfully flowing,
  The wake of the sea-ship after she passes, flashing and frolicsome
      under the sun,
  A motley procession with many a fleck of foam and many fragments,
  Following the stately and rapid ship, in the wake following.

Friday, May 6, 2016

Two Hymns to Love


Listen to:

Two Hymns to Love (1:04)

by Robert Herrick 

performed by Bob Gonzalez, rhapsode


A Short Hymn to Venus

Goddess, I do love a Girl
Ruby-lipp’d, and tooth’d with Pearl:
If so be, I may but prove
Lucky in the Maid I love:
I will promise there shall be
Myrtles offer’d up to Thee.


A Hymn to Venus and Cupid

Sea-born Goddess, let me be
By thy son thus grac'd, and thee;
That whene’er I woo, I find 
Virgins coy, but not unkind.
Let me, when I kiss a maid,
Taste her lips, so over-laid
With Love-syrup, that I may,
In your Temple, when I pray,
Kiss the Altar, and confess
There’s in love no bitterness.


Wednesday, May 4, 2016

May

Listen to:

May (:36)

by Sara Teasdale 

performed by Bob Gonzalez, rhapsode


The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May. 



Tuesday, May 3, 2016

May Night

Listen to:

May Night (:35)

by Sara Teasdale 

performed by Bob Gonzalez, rhapsode

The spring is fresh and fearless
And every leaf is new,
The world is brimmed with moonlight,
The lilac brimmed with dew.

Here in the moving shadows
I catch my breath and sing--
My heart is fresh and fearless
And over-brimmed with spring. 

Monday, May 2, 2016

May

Listen to:

May (:40)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode


from The Poet's Calendar

Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o'er all the land from far away
The breath and bloom of the Hesperides,
My birthplace. I am Maia. I am May.