The Eternal Saki

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The Eternal Saki (1:05)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 44, 46-47

translated by Edward Fitzgerald

XLIV

    Why, if the Soul can fling the Dust aside,

    And naked on the Air of Heaven ride,

    Were't not a Shame--were't not a Shame for him

    In this clay carcase crippled to abide?

XLVI

    And fear not lest Existence closing your

    Account, and mine, should know the like no more;

    The Eternal Saki from that Bowl has pour'd

    Millions of Bubbles like us, and will pour.

    XLVII

    When You and I behind the Veil are past,

    Oh, but the long, long while the World shall last,

    Which of our Coming and Departure heeds

    As the Sea's self should heed a pebble-cast.

Angel of the Darker Drink

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Angel of the Darker Drink (:47)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 42-43

translated by Edward Fitzgerald

XLII

    And if the Wine you drink, the Lip you press

    End in what All begins and ends in--Yes;

    Think then you are To-day what Yesterday

    You were--To-morrow You shall not be less.

    XLIII

    So when that Angel of the darker Drink

    At last shall find you by the river-brink,

    And, offering his Cup, invite your Soul

    Forth to your Lips to quaff--you shall not shrink.

Like an Empty Cup

Listen to:

Like an Empty Cup (:59)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 38-40

translated by Edward Fitzgerald

XXXVIII

    And has not such a Story from of Old

    Down Man's successive generations roll'd

    Of such a clod of saturated Earth

    Cast by the Maker into Human mould?

    XXXIX

    And not a drop that from our Cups we throw

    For Earth to drink of, but may steal below

    To quench the fire of Anguish in some Eye

    There hidden--far beneath, and long ago.

    XL

    As then the Tulip for her morning sup

    Of Heav'nly Vintage from the soil looks up,

    Do you devoutly do the like, till Heav'n

    To Earth invert you--like an empty Cup.

The Secret of My Life

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The Secret of My Life (1:04)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 35-37

translated by Edward Fitzgerald

    XXXV

    Then to the lip of this poor earthen Urn

    I lean'd, the Secret of my Life to learn:

    And Lip to Lip it murmur'd--"While you live

    Drink!--for, once dead, you never shall return."

    XXXVI

    I think the Vessel, that with fugitive

    Articulation answer'd, once did live,

    And drink; and Ah! the passive Lip I kiss'd,

    How many Kisses might it take--and give!

    XXXVII

    For I remember stopping by the way

    To watch a Potter thumping his wet Clay:

    And with its all-obliterated Tongue

    It murmur'd--"Gently, Brother, gently, pray!"

From Fairest Creatures

Portrait of Sir John Scott

Listen to:

From Fairest Creatures (1:06)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

Sonnet I

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory:

But thou contracted to thine own bright eyes,

Feed'st thy light's flame with self-substantial fuel,

Making a famine where abundance lies,

Thy self thy foe, to thy sweet self too cruel:

Thou that art now the world's fresh ornament,

And only herald to the gaudy spring,

Within thine own bud buriest thy content,

And, tender churl, mak'st waste in niggarding:

Pity the world, or else this glutton be,

To eat the world's due, by the grave and thee.

How Can My Muse

Painting by Sir Lawrence Alma-Tadema

Listen to:

How Can My Muse (1:03)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

XXXVIII.

How can my muse want subject to invent,

While thou dost breathe, that pour'st into my verse

Thine own sweet argument, too excellent

For every vulgar paper to rehearse?

O! give thy self the thanks, if aught in me

Worthy perusal stand against thy sight;

For who's so dumb that cannot write to thee,

When thou thy self dost give invention light?

Be thou the tenth Muse, ten times more in worth

Than those old nine which rhymers invocate;

And he that calls on thee, let him bring forth

Eternal numbers to outlive long date.

If my slight muse do please these curious days,

The pain be mine, but thine shall be the praise.

Michael Robartes Remembers Forgotten Beauty

Listen to:

Michael Robartes Remembers Forgotten Beauty (1:24)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

When my arms wrap you round I press

My heart upon the loveliness

That has long faded from the world;

The jewelled crowns that kings have hurled

In shadowy pools, when armies fled;

The love-tales wove with silken thread

By dreaming ladies upon cloth

That has made fat the murderous moth;

The roses that of old time were

Woven by ladies in their hair,

The dew-cold lilies ladies bore 

Through many a sacred corridor

Where such gray clouds of incense rose

That only the gods' eyes did not close:

For that pale breast and lingering hand

Come from a more dream-heavy land,

A more dream-heavy hour than this;

And when you sigh from kiss to kiss

I hear white Beauty sighing, too,

For hours when all must fade like dew

But flame on flame, deep under deep,

Throne over throne, where in half sleep

Their swords upon their iron knees

Brood her high lonely mysteries.

(from The Wind Among the Reeds)

The Invitation

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The Invitation (1:16)

by John Clare 

performed by Bob Gonzalez, rhapsode

  Come hither, my dear one, my choice one, and rare one,
  And let us be walking the meadows so fair,
  Where on pilewort and daisies the eye fondly gazes,
  And the wind plays so sweet in thy bonny brown hair.

  Come with thy maiden eye, lay silks and satins by;
  Come in thy russet or grey cotton gown;
  Come to the meads, dear, where flags, sedge, and reeds appear,
  Rustling to soft winds and bowing low down.

  Come with thy parted hair, bright eyes, and forehead bare;
  Come to the whitethorn that grows in the lane;
  To banks of primroses, where sweetness reposes,
  Come, love, and let us be happy again.

  Come where the violet flowers, come where the morning showers
  Pearl on the primrose and speedwell so blue;
  Come to that clearest brook that ever runs round the nook
  Where you and I pledged our first love so true.

Music

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Music (:39)

by Percy Bysshe Shelley 

performed by Bob Gonzalez, rhapsode

Music, when soft voices die,

Vibrates in the memory—

Odours, when sweet violets sicken,

Live within the sense they quicken.

Rose leaves, when the rose is dead,

Are heaped for the belovèd's bed;

And so thy thoughts, when thou art gone,

Love itself shall slumber on.

A-Roving

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A-Roving (:43)

by George Gordon, Lord Byron 

performed by Bob Gonzalez, rhapsode

So, we'll go no more a-roving

   So late into the night,

Though the heart be still as loving,

   And the moon be still as bright.

For the sword outwears its sheath,

   And the soul wears out the breast,

And the heart must pause to breathe,

   And love itself have rest.

Though the night was made for loving,

   And the day returns too soon,

Yet we'll go no more a-roving

   By the light of the moon.

Be Drunken

Starry Night by Vincent Van Gogh

Listen to:

Be Drunken (1:26)

by Charles Baudelaire 

translated by Arthur Symons

performed by Bob Gonzalez, rhapsode

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.

Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.

And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock, will answer you: "It is the hour to be drunken!" 

Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will.

April

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April (:37)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

I open wide the portals of the Spring
To welcome the procession of the flowers,
With their gay banners, and the birds that sing
Their song of songs from their aerial towers.
I soften with my sunshine and my showers
The heart of earth; with thoughts of love I glide
Into the hearts of men; and with the Hours
Upon the Bull with wreathed horns I ride.

from The Poet's Calendar

Young Love

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Young Love (1:35)

by Andrew Marvell 

performed by Bob Gonzalez, rhapsode

Andrew Marvell was born this day in 1621

Come, little infant, love me now,

   While thine unsuspected years

Clear thine agèd father’s brow

   From cold jealousy and fears.

Pretty, surely, ’twere to see

   By young love old time beguiled,

While our sportings are as free

   As the nurse’s with the child.

Common beauties stay fifteen;

   Such as yours should swifter move,

Whose fair blossoms are too green

   Yet for lust, but not for love.

Love as much the snowy lamb,

   Or the wanton kid, does prize,

As the lusty bull or ram,

   For his morning sacrifice.

Now then love me: time may take

   Thee before thy time away:

Of this need we’ll virtue make,

   And learn love before we may.

So we win of doubtful fate;

   And if good she to us meant,

We that good shall antedate,

   Or, if ill, that ill prevent.

Thus as kingdoms, frustrating

   Other titles to their crown,

In the cradle crown their king,

   So all foreign claims to drown,

So, to make all rivals vain,

   Now I crown thee with my love:

Crown me with thy love again,

   And we both shall monarchs prove.

Edward Fitzgerald, translator of The Rubaiyat of Omar Khayyam, was born this day in 1809

Listen to quatrains from Edward Fitzgerald's translation of Omar Khayyam on Eclectic Rhapsodics:

May 2, 2015

February 12, 2016

February 25, 2016

The Awakening

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The Awakening (1:00)

by James Weldon Johnson 

performed by Bob Gonzalez, rhapsode

I dreamed that I was a rose
That grew beside a lonely way,
Close by a path none ever chose,
And there I lingered day by day.
Beneath the sunshine and the show’r
I grew and waited there apart,
Gathering perfume hour by hour,
And storing it within my heart,
        Yet, never knew,
Just why I waited there and grew.

I dreamed that you were a bee
That one day gaily flew along,
You came across the hedge to me,
And sang a soft, love-burdened song.
You brushed my petals with a kiss,
I woke to gladness with a start,
And yielded up to you in bliss
The treasured fragrance of my heart;
        And then I knew
That I had waited there for you.

Death

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Death (2:07)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

from Song of Myself

49

And as to you Death, and you bitter hug of mortality, it is idle to

    try to alarm me.

To his work without flinching the accoucheur  comes,

I see the elder-hand pressing receiving supporting,

I recline by the sills of the exquisite flexible doors,

And mark the outlet, and mark the relief and escape.

And as to you Corpse I think you are good manure, but that does not

    offend me,

I smell the white roses sweet-scented and growing,

I reach to the leafy lips, I reach to the polish'd breasts of melons.

And as to you Life I reckon you are the leavings of many deaths,

(No doubt I have died myself ten thousand times before.)

I hear you whispering there O stars of heaven,

O suns--O grass of graves--O perpetual transfers and promotions,

If you do not say any thing how can I say any thing?

Of the turbid pool that lies in the autumn forest,

Of the moon that descends the steeps of the soughing twilight,

Toss, sparkles of day and dusk--toss on the black stems that decay

    in the muck,

Toss to the moaning gibberish of the dry limbs.

I ascend from the moon, I ascend from the night,

I perceive that the ghastly glimmer is noonday sunbeams reflected,

And debouch to the steady and central from the offspring great or small.

Mutation

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Mutation (1:13)

by William Cullen Bryant 

performed by Bob Gonzalez, rhapsode

They talk of short-lived pleasure—be it so—
Pain dies as quickly: stern, hard-featured pain
Expires, and lets her weary prisoner go.
The fiercest agonies have shortest reign;
And after dreams of horror, comes again
The welcome morning with its rays of peace.
Oblivion, softly wiping out the stain,
Makes the strong secret pangs of shame to cease:
Remorse is virtue’s root; its fair increase
Are fruits of innocence and blessedness:
Thus joy, o’erborne and bound, doth still release
His young limbs from the chains that round him press.
Weep not that the world changes—did it keep
A stable changeless state, ’twere cause indeed to weep.

The Lighted Window

Listen to:

The Lighted Window (1:21)

by Sara Teasdale 

performed by Bob Gonzalez, rhapsode

He said:
“In the winter dusk
When the pavements were gleaming with rain,
I walked thru a dingy street
Hurried, harassed,
Thinking of all my problems that never are solved.
Suddenly out of the mist, a flaring gas-jet
Shone from a huddled shop.
I saw thru the bleary window
A mass of playthings:
False-faces hung on strings,
Valentines, paper and tinsel,
Tops of scarlet and green,
Candy, marbles, jacks—
A confusion of color
Pathetically gaudy and cheap.
All of my boyhood
Rushed back.
Once more these things were treasures
Wildly desired.
With covetous eyes I looked again at the marbles,
The precious agates, the pee-wees, the chinies—
Then I passed on.

In the winter dusk,
The pavements were gleaming with rain;
There in the lighted window
I left my boyhood.”

To Hope

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To Hope (1:14)

by Charlotte Smith 

performed by Bob Gonzalez, rhapsode

Oh, Hope! thou soother sweet of human woes!
    How shall I lure thee to my haunts forlorn!
For me wilt thou renew the wither’d rose,
    And clear my painful path of pointed thorn?
Ah come, sweet nymph! in smiles and softness drest,
    Like the young hours that lead the tender year,
Enchantress! come, and charm my cares to rest:—
    Alas! the flatterer flies, and will not hear!
A prey to fear, anxiety, and pain,
    Must I a sad existence still deplore?
Lo!—the flowers fade, but all the thorns remain,
    “For me the vernal garland blooms no more.”
Come then, “pale Misery’s love!” be thou my cure,
And I will bless thee, who, tho’ slow, art sure.

Sonnet: "Lo, Even As I Passed"

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Lo, Even As I Passed (:58)

by Wallace Stevens 

performed by Bob Gonzalez, rhapsode

Lo, even as I passed beside the booth

Of roses, and beheld them brightly twine

To damask heights, taking them as a sign

Of my own self still unconcerned with truth;

Even as I held up in hands uncouth

And drained with joy the golden-bodied wine,

Deeming it half-unworthy, half divine,

From out the sweet-rimmed goblet of my youth.

Even in that pure hour I heard the tone

Of grievous music stir in memory,

Telling me of the time already flown

From my first youth. It sounded like the rise

Of distant echo from dead melody,

Soft as a song heard far in Paradise.

Rubaiyat - Verses XXV - XXVIII

Listen to:

Rubaiyat - Verses XXV - XXVIII (1:18)

by Omar Khayyam 

translated by Edward Fitzgerald

performed by Bob Gonzalez, rhapsode

 XXV
    Alike for those who for To-day prepare,
    And those that after some To-morrow stare,
    A Muezzin from the Tower of Darkness cries    
    "Fools! your Reward is neither Here nor There."


    XXVI
    Why, all the Saints and Sages who discuss'd
    Of the Two Worlds so wisely--they are thrust
    Like foolish Prophets forth; their Words to Scorn
    Are scatter'd, and their Mouths are stopt with Dust.


    XXVII
    Myself when young did eagerly frequent
    Doctor and Saint, and heard great argument
    About it and about: but evermore
    Came out by the same door where in I went.


    XXVIII
    With them the seed of Wisdom did I sow,
    And with mine own hand wrought to make it grow;
    And this was all the Harvest that I reap'd--
    "I came like Water, and like Wind I go."