Showing posts with label spoken word. Show all posts
Showing posts with label spoken word. Show all posts

Sunday, May 31, 2020

Metaphysics


Listen to: 

Metaphysics (1:08)

by Oliver Herford 

performed by Bob Gonzalez, rhapsode

Why and Wherefore set out one day
       To hunt for a wild Negation.
They agreed to meet at a cool retreat
       On the Point of Interrogation.

But the night was dark and they missed their mark,
       And, driven well-nigh to distraction,
They lost their ways in a murky maze
       Of utter abstruse abstraction.

Then they took a boat and were soon afloat
       On a sea of Speculation,
But the sea grew rough, and their boat, though tough,
       Was split into an Equation.

As they floundered about in the waves of doubt
       Rose a fearful Hypothesis,
Who gibbered with glee as they sank in the sea,
       And the last they saw was this:

On a rock-bound reef of Unbelief
       There sat the wild Negation;
Then they sank once more and were washed ashore
       At the Point of Interrogation.


Saturday, February 11, 2017

Dirge from Cymbeline


Listen to: 

Dirge from Cymbeline (1:20)

William Shakespeare 

performed by Bob Gonzalez, rhapsode


Fear no more the heat o' the sun,
Nor the furious winter's rages;
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o' the great;
Thou art past the tyrant's stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning flash,
Nor the all-dreaded thunder-stone;
Fear not slander, censure rash;
Thou hast finish'd joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.

No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;

And renowned be thy grave!            ---  Act 4, scene 2

Monday, February 6, 2017

Sunrise


Listen to: 

Sunrise* (1:21)

Lizette Woodworth Reese  

performed by Bob Gonzalez, rhapsode

The east is yellow as a daffodil.
Three steeples—three stark swarthy arms—are thrust 
Up from the town. The gnarlèd poplars thrill
Down the long street in some keen salty gust— 
Straight from the sea and all the sailing ships—
Turn white, black, white again, with noises sweet 
And swift. Back to the night the last star slips.
High up the air is motionless, a sheet
Of light. The east grows yellower apace,
And trembles: then, once more, and suddenly,
The salt wind blows, and in that moment’s space 
Flame roofs, and poplar-tops, and steeples three; 

From out the mist that wraps the river-ways,
The little boats, like torches, start ablaze. 

* I recorded this poem and posted it on March 11, 2016. Without realizing it, I recorded it again recently and am now posting this version. If you compare the two versions, there are some subtle but interesting differences. In any case, you might have missed the first version and might enjoy this other one. And good poems are worth repeating.

Sunday, February 5, 2017

Richard Cory


Listen to:

Richard Cory (1:00)

by Edward Arlington Robinson 

performed by Bob Gonzalez, rhapsode


Whenever Richard Cory went down town, 
We people on the pavement looked at him: 
He was a gentleman from sole to crown, 
Clean favored, and imperially slim.

And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said, 
"Good-morning," and he glittered when he walked.

And he was rich, — yes, richer than a king, — 
And admirably schooled in every grace:
In fine, we thought that he was everything 
To make us wish that we were in his place.

So on we worked, and waited for the light,
And went without the meat, and cursed the bread; 
And Richard Cory, one calm summer night,

Went home and put a bullet through his head.


Saturday, February 4, 2017

Bacchanalia

Listen to:

Bacchanalia (5:04)

by Matthew Arnold 

performed by Bob Gonzalez, rhapsode

I 
The evening comes, the fields are still. 
The tinkle of the thirsty rill, 
Unheard all day, ascends again; 
Deserted is the half-mown plain, 
Silent the swaths! the ringing wain, 
The mower's cry, the dog's alarms, 
All housed within the sleeping farms! 
The business of the day is done, 
The last belated gleaner gone. 
And from the thyme upon the height, 
And from the elder-blossom white 
And pale dog-roses in the hedge, 
And from the mint-plant in the sedge, 
In puffs of balm the night-air blows 
The perfume which the day forgoes. 
And on the pure horizon far, 
See, pulsing with the first-born star, 
The liquid sky above the hill! 
The evening comes, the fields are still. 

       Loitering and leaping, 
       With saunter, with bounds— 
       Flickering and circling 
       In files and in rounds— 
       Gaily their pine-staff green 
       Tossing in air, 
       Loose o'er their shoulders white 
       Showering their hair— 
       See! the wild Maenads 
       Break from the wood, 
       Youth and Iacchus 
       Maddening their blood. 

       See! through the quiet land 
       Rioting they pass— 
       Fling the fresh heaps about, 
       Trample the grass. 
       Tear from the rifled hedge 
       Garlands, their prize; 
       Fill with their sports the field, 
       Fill with their cries. 

       Shepherd, what ails thee, then? 
       Shepherd, why mute? 
       Forth with thy joyous song! 
       Forth with thy flute! 
       Tempts not the revel blithe? 
       Lure not their cries? 
       Glow not their shoulders smooth? 
       Melt not their eyes? 
       Is not, on cheeks like those, 
       Lovely the flush? 
       —Ah, so the quiet was! 
       So was the hush! 

II 
The epoch ends, the world is still. 
The age has talk'd and work'd its fill— 
The famous orators have shone, 
The famous poets sung and gone, 
The famous men of war have fought, 
The famous speculators thought, 
The famous players, sculptors, wrought, 
The famous painters fill'd their wall, 
The famous critics judged it all. 
The combatants are parted now— 
Uphung the spear, unbent the bow, 
The puissant crown'd, the weak laid low. 
And in the after-silence sweet, 
Now strifes are hush'd, our ears doth meet, 
Ascending pure, the bell-like fame 
Of this or that down-trodden name, 
Delicate spirits, push'd away 
In the hot press of the noon-day. 
And o'er the plain, where the dead age 
Did its now silent warfare wage— 
O'er that wide plain, now wrapt in gloom, 
Where many a splendour finds its tomb, 
Many spent fames and fallen mights— 
The one or two immortal lights 
Rise slowly up into the sky 
To shine there everlastingly, 
Like stars over the bounding hill. 
The epoch ends, the world is still. 

       Thundering and bursting 
       In torrents, in waves— 
       Carolling and shouting 
       Over tombs, amid graves— 
       See! on the cumber'd plain 
       Clearing a stage, 
       Scattering the past about, 
       Comes the new age. 
       Bards make new poems, 
       Thinkers new schools, 
       Statesmen new systems, 
       Critics new rules. 
       All things begin again; 
       Life is their prize; 
       Earth with their deeds they fill, 
       Fill with their cries. 

       Poet, what ails thee, then? 
       Say, why so mute? 
       Forth with thy praising voice! 
       Forth with thy flute! 
       Loiterer! why sittest thou 
       Sunk in thy dream? 
       Tempts not the bright new age? 
       Shines not its stream? 
       Look, ah, what genius, 
       Art, science, wit! 
       Soldiers like Caesar, 
       Statesmen like Pitt! 
       Sculptors like Phidias, 
       Raphaels in shoals, 
       Poets like Shakespeare— 
       Beautiful souls! 
       See, on their glowing cheeks 
       Heavenly the flush! 
       —Ah, so the silence was! 
       So was the hush! 

The world but feels the present's spell, 
The poet feels the past as well; 
Whatever men have done, might do, 

Whatever thought, might think it too. 

Sunday, June 12, 2016

Come Lovely and Soothing Death


Listen to:

 Come Lovely and Soothing Death (1:26)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

from "When Lilacs Last in the Dooryard Bloom’d"
from Leaves of Grass
by Walt Whitman

Come lovely and soothing death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later delicate death.

Prais'd be the fathomless universe,
For life and joy, and for objects and knowledge curious,
And for love, sweet love--but praise! praise! praise!
For the sure-enwinding arms of cool-enfolding death.

Dark mother always gliding near with soft feet,
Have none chanted for thee a chant of fullest welcome?
Then I chant it for thee, I glorify thee above all,
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach strong deliveress,
When it is so, when thou hast taken them I joyously sing the dead,
Lost in the loving floating ocean of thee,
Laved in the flood of thy bliss O death.

Wednesday, June 1, 2016

June

Listen to:

June (:41)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

Mine is the Month of Roses; yes, and mine
The Month of Marriages! All pleasant sights
And scents, the fragrance of the blossoming vine,
The foliage of the valleys and the heights.
Mine are the longest days, the loveliest nights;
The mower's scythe makes music to my ear;
I am the mother of all dear delights;
I am the fairest daughter of the year.


Photo from Pat @ Mille Fiori Favoriti
http://millefiorifavoriti.blogspot.com/2010/06/pink-roses-in-cranford-rose-garden.html

Tuesday, May 31, 2016

A Song of Joys


Listen to:

A Song of Joys (1:36)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

Walt Whitman was born this day is 1819 in West Hills, near Huntington, Long Island

  O to make the most jubilant song!
  Full of music--full of manhood, womanhood, infancy!
  Full of common employments--full of grain and trees.

  O for the voices of animals--O for the swiftness and balance of fishes!
  O for the dropping of raindrops in a song!
  O for the sunshine and motion of waves in a song!

 ….

  O to sail to sea in a ship!
  To leave this steady unendurable land,
  To leave the tiresome sameness of the streets, the sidewalks and the
      houses,
  To leave you O you solid motionless land, and entering a ship,
  To sail and sail and sail!

  O to have life henceforth a poem of new joys!
  To dance, clap hands, exult, shout, skip, leap, roll on, float on!
  To be a sailor of the world bound for all ports,
  A ship itself, (see indeed these sails I spread to the sun and air,)
  A swift and swelling ship full of rich words, full of joys.


Tuesday, May 24, 2016

May Song

Listen to:

May Song (1:18)

by Johann Wolfgang von Goethe

translated by A. S. Kline* 

performed by Bob Gonzalez, rhapsode

How sweetly Nature
Brightens round me!
How the sun’s shining!
How the fields gleam!

Blossoms are bursting
From every leaf,
Thousands of voices
From bushes beneath,

And joy and bliss
From every eye.
O Earth, O Sun!
O Joy, O Delight.

O Love, O Love!
So golden fair,
Like morning clouds
On the hillside there!

Your splendour blesses
The fields so fresh,
The whole wide world
In a blossoming mist.

O Darling, Darling,
How I love you!
How your eyes shine!
How you love too!

So the lark loves
Singing on high,
And flowers at dawn
The scented sky,

As I love you
With veins on fire,
You who give me
Youth, Joy, Desire

For new dances
New poetry.
Be happy forever,
As you love me!



Monday, May 23, 2016

Imagination

Listen to:

Imagination  (1:08)

by John Davidson 

performed by Bob Gonzalez, rhapsode


There is a dish to hold the sea,
  A brazier to contain the sun,
A compass for the galaxy,
  A voice to wake the dead and done!

That minister of ministers,
  Imagination, gathers up
The undiscovered Universe,
  Like jewels in a jasper cup.
  
Its flame can mingle north and south;
  Its accent with the thunder strive;
The ruddy sentence of its mouth
  Can make the ancient dead alive.

The mart of power, the fount of will,
  The form and mould of every star,
The source and bound of good and ill,
  The key of all the things that are,

Imagination, new and strange
  In every age, can turn the year;
Can shift the poles and lightly change
  The mood of men, the world's career.


Sunday, May 22, 2016

Dirge

Listen to:

Dirge (:43)

by Edna St. Vincent Millay 

performed by Bob Gonzalez, rhapsode


     Boys and girls that held her dear,
       Do your weeping now;
     All you loved of her lies here.

     Brought to earth the arrogant brow,
       And the withering tongue
     Chastened; do your weeping now.

     Sing whatever songs are sung,
       Wind whatever wreath,
     For a playmate perished young,

     For a spirit spent in death.
     Boys and girls that held her dear,
     All you loved of her lies here.


Saturday, May 21, 2016

If —

Listen to:

If — (2:06)

by Rudyard Kipling 

performed by Bob Gonzalez, rhapsode


If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son! 




Friday, May 20, 2016

The Eternal Saki


Listen to:

The Eternal Saki (1:05)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 44, 46-47
translated by Edward Fitzgerald

XLIV
    Why, if the Soul can fling the Dust aside,
    And naked on the Air of Heaven ride,
    Were't not a Shame--were't not a Shame for him
    In this clay carcase crippled to abide?

XLVI
    And fear not lest Existence closing your
    Account, and mine, should know the like no more;
    The Eternal Saki from that Bowl has pour'd
    Millions of Bubbles like us, and will pour.

    XLVII
    When You and I behind the Veil are past,
    Oh, but the long, long while the World shall last,
    Which of our Coming and Departure heeds
    As the Sea's self should heed a pebble-cast.


Thursday, May 19, 2016

Angel of the Darker Drink


Listen to:

Angel of the Darker Drink (:47)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 42-43
translated by Edward Fitzgerald

XLII
    And if the Wine you drink, the Lip you press
    End in what All begins and ends in--Yes;
    Think then you are To-day what Yesterday
    You were--To-morrow You shall not be less.


    XLIII
    So when that Angel of the darker Drink
    At last shall find you by the river-brink,
    And, offering his Cup, invite your Soul
    Forth to your Lips to quaff--you shall not shrink.



Wednesday, May 18, 2016

Like an Empty Cup


Listen to:

Like an Empty Cup (:59)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 38-40
translated by Edward Fitzgerald

XXXVIII
    And has not such a Story from of Old
    Down Man's successive generations roll'd
    Of such a clod of saturated Earth
    Cast by the Maker into Human mould?


    XXXIX
    And not a drop that from our Cups we throw
    For Earth to drink of, but may steal below
    To quench the fire of Anguish in some Eye
    There hidden--far beneath, and long ago.


    XL
    As then the Tulip for her morning sup
    Of Heav'nly Vintage from the soil looks up,
    Do you devoutly do the like, till Heav'n
    To Earth invert you--like an empty Cup.

Tuesday, May 17, 2016

The Secret of My Life


Listen to:

The Secret of My Life (1:04)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode


The Rubaiyat of Omar Khayyam, verses 35-37
translated by Edward Fitzgerald

    XXXV
    Then to the lip of this poor earthen Urn
    I lean'd, the Secret of my Life to learn:
    And Lip to Lip it murmur'd--"While you live
    Drink!--for, once dead, you never shall return."

    XXXVI
    I think the Vessel, that with fugitive
    Articulation answer'd, once did live,
    And drink; and Ah! the passive Lip I kiss'd,
    How many Kisses might it take--and give!

    XXXVII
    For I remember stopping by the way
    To watch a Potter thumping his wet Clay:
    And with its all-obliterated Tongue
    It murmur'd--"Gently, Brother, gently, pray!"



Monday, May 16, 2016

A Dance for Rain

Listen to:

A Dance for Rain (4:25)

by Witter Bynner 

performed by Bob Gonzalez, rhapsode


Used with permission from The Witter Bynner Foundation for Poetry,
which retains full rights to the text of this poem. 

Painting "Embers" by Tony Abeyta
http://www.tonyabeyta.com/


You may never see rain, unless you see
A dance for rain at Cochiti,
Never hear thunder in the air
Unless you hear the thunder there,
Nor know the lightning in the sky
If there’s no pole to know it by …
They dipped the pole just as I came,
And I can never be the same
Since those feathers gave my brow
The touch of wind that’s on it now,
Bringing over the arid lands
Butterfly gestures from Hopi hands
And holding me, till earth shall fail,
As close to earth as a fox’s tail.

I saw them, naked, dance in line 
Before the candles of a leafy shrine;
Before a saint in a Christian dress
I saw them dance their holiness,
I saw them reminding him all day long
That death is weak and life is strong
And urging the fertile earth to yield
Seed from the loin and seed from the field.
A feather in the hair and a shell at the throat
Were lifting and falling with every note
Of the chorus-voices and the drum,
Calling for the rain to come.
A fox on the back, and shaken on the thigh
Rain cloth woven from the sky,
And under the knee a turtle-rattle
Clacking with the toes of sheep and cattle —
These were the men, their bodies painted
Earthen, with a white rain slanted;
These were the men, a windy line,
Their elbows green with a growth of pine.
And in among them, close and slow,
Women moved the way things grow,
With a mesa-tablet on the head
And a little grassy creeping tread
And with sprays of pine moved back and forth,
While the dance of the men blew from the north,
Blew from the south and east and west
Over the field and over the breast.
And the heart was beating in the drum.
Beating for the rain to come.

Dead men out of earlier lives,
Leaving their graves, leaving their wives,
Were partly flesh and partly clay,
And their heads were corn that was dry and gray.
They were ghosts of men and once again
They were dancing like a ghost of rain;
For the spirits of men, the more they eat,
Have happier hands and lighter feet,
And the better they dance the better they know
How to make corn and children grow.

And so in Cochiti that day
They slowly put the sun away
And they made a cloud and they made it break
And they made it rain for the children’s sake.
And they never stopped the song or the drum
Pounding for the rain to come.

The rain made many suns to shine,
Golden bodies in a line
With leaping feather and swaying pine.
And the brighter the bodies, the brighter the rain
As thunder heaped it on the plain.
Arroyos had been empty, dry,
But now were running with the sky;
And the dancers’ feet were in a lake,
Dancing for the people’s sake.
And the hands of a ghost had made a cup
For scooping handfuls of water up;
And he poured it into a ghostly throat,
And he leaped and waved with every note
Of the dancers’ feet and the songs of the drum
That had called the rain and made it come.

For this was not a god of wood,
This was a god whose touch was good,
You could lie down in him and roll
And wet your body and wet your soul;
For this was not a god in a book,
This was a god that you tasted and took
Into a cup that you made with your hands,
Into your children and into your lands —
This was a god that you could see,

Rain, rain in Cochiti!


Sunday, May 15, 2016

The Python


Listen to:

The Python (:49)

by Hilaire Belloc 

performed by Bob Gonzalez, rhapsode


A Python I should not advise, —
It needs a doctor for its eyes,
And has the measles yearly.

However, if you feel inclined
To get one (to improve your mind,
And not from fashion merely),
Allow no music near its cage;
And when it flies into a rage
Chastise it most severely.

I had an Aunt in Yucatan
Who bought a Python from a man
And kept it for a pet.
She died because she never knew
These simple little rules and few; —
The snake is living yet.

(Python sketch by Timothy Young)

Friday, May 13, 2016

Nature


Listen to:

Nature (:56)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      As a fond mother when the day is o'er
      Leads by the hand her little child to bed,
      Half willing, half reluctant to be led,
      And leave his broken playthings on the floor,
      Still gazing at them through the open door,
      Nor wholly reassured and comforted
      By promises of others in their stead
      Which, though more splendid, may not please him more.
      So Nature deals with us and takes away
      Our playthings one by one, and by the hand
      Leads us to rest so gently, that we go,
      Scarce knowing if we wished to go or stay,
      Being too full of sleep to understand
      How far the unknown transcends the what we know.


Wednesday, May 11, 2016

No Second Troy


Listen to:

No Second Troy (:50)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode


Why should I blame her that she filled my days
With misery, or that she would of late

Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?

What could have made her peaceful with a mind
That nobleness made simple as a fire,

With beauty like a tightened bow, a kind

That is not natural in an age like this,

Being high and solitary and most stern?

Why, what could she have done being what she is?
Was there another Troy for her to burn?