Come Lovely and Soothing Death

Listen to:

 Come Lovely and Soothing Death (1:26)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

from "When Lilacs Last in the Dooryard Bloom’d"

from Leaves of Grass

by Walt Whitman

Come lovely and soothing death,

Undulate round the world, serenely arriving, arriving,

In the day, in the night, to all, to each,

Sooner or later delicate death.

Prais'd be the fathomless universe,

For life and joy, and for objects and knowledge curious,

And for love, sweet love--but praise! praise! praise!

For the sure-enwinding arms of cool-enfolding death.

Dark mother always gliding near with soft feet,

Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee, I glorify thee above all,

I bring thee a song that when thou must indeed come, come unfalteringly.

Approach strong deliveress,

When it is so, when thou hast taken them I joyously sing the dead,

Lost in the loving floating ocean of thee,

Laved in the flood of thy bliss O death.

Dirge

Listen to:

Dirge (:43)

by Edna St. Vincent Millay 

performed by Bob Gonzalez, rhapsode

     Boys and girls that held her dear,

       Do your weeping now;

     All you loved of her lies here.

     Brought to earth the arrogant brow,

       And the withering tongue

     Chastened; do your weeping now.

     Sing whatever songs are sung,

       Wind whatever wreath,

     For a playmate perished young,

     For a spirit spent in death.

     Boys and girls that held her dear,

     All you loved of her lies here.

If —

Listen to:

If — (2:06)

by Rudyard Kipling 

performed by Bob Gonzalez, rhapsode

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son! 

The Eternal Saki

Listen to:

The Eternal Saki (1:05)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 44, 46-47

translated by Edward Fitzgerald

XLIV

    Why, if the Soul can fling the Dust aside,

    And naked on the Air of Heaven ride,

    Were't not a Shame--were't not a Shame for him

    In this clay carcase crippled to abide?

XLVI

    And fear not lest Existence closing your

    Account, and mine, should know the like no more;

    The Eternal Saki from that Bowl has pour'd

    Millions of Bubbles like us, and will pour.

    XLVII

    When You and I behind the Veil are past,

    Oh, but the long, long while the World shall last,

    Which of our Coming and Departure heeds

    As the Sea's self should heed a pebble-cast.

Angel of the Darker Drink

Listen to:

Angel of the Darker Drink (:47)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 42-43

translated by Edward Fitzgerald

XLII

    And if the Wine you drink, the Lip you press

    End in what All begins and ends in--Yes;

    Think then you are To-day what Yesterday

    You were--To-morrow You shall not be less.

    XLIII

    So when that Angel of the darker Drink

    At last shall find you by the river-brink,

    And, offering his Cup, invite your Soul

    Forth to your Lips to quaff--you shall not shrink.

Like an Empty Cup

Listen to:

Like an Empty Cup (:59)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 38-40

translated by Edward Fitzgerald

XXXVIII

    And has not such a Story from of Old

    Down Man's successive generations roll'd

    Of such a clod of saturated Earth

    Cast by the Maker into Human mould?

    XXXIX

    And not a drop that from our Cups we throw

    For Earth to drink of, but may steal below

    To quench the fire of Anguish in some Eye

    There hidden--far beneath, and long ago.

    XL

    As then the Tulip for her morning sup

    Of Heav'nly Vintage from the soil looks up,

    Do you devoutly do the like, till Heav'n

    To Earth invert you--like an empty Cup.

The Secret of My Life

Listen to:

The Secret of My Life (1:04)

by Omar Khayyam

translated by Edward Fitzgerald 

performed by Bob Gonzalez, rhapsode

The Rubaiyat of Omar Khayyam, verses 35-37

translated by Edward Fitzgerald

    XXXV

    Then to the lip of this poor earthen Urn

    I lean'd, the Secret of my Life to learn:

    And Lip to Lip it murmur'd--"While you live

    Drink!--for, once dead, you never shall return."

    XXXVI

    I think the Vessel, that with fugitive

    Articulation answer'd, once did live,

    And drink; and Ah! the passive Lip I kiss'd,

    How many Kisses might it take--and give!

    XXXVII

    For I remember stopping by the way

    To watch a Potter thumping his wet Clay:

    And with its all-obliterated Tongue

    It murmur'd--"Gently, Brother, gently, pray!"

Nature

Listen to:

Nature (:56)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

      As a fond mother when the day is o'er

      Leads by the hand her little child to bed,

      Half willing, half reluctant to be led,

      And leave his broken playthings on the floor,

      Still gazing at them through the open door,

      Nor wholly reassured and comforted

      By promises of others in their stead

      Which, though more splendid, may not please him more.

      So Nature deals with us and takes away

      Our playthings one by one, and by the hand

      Leads us to rest so gently, that we go,

      Scarce knowing if we wished to go or stay,

      Being too full of sleep to understand

      How far the unknown transcends the what we know.

No Second Troy

Listen to:

No Second Troy (:50)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

Why should I blame her that she filled my days
With misery, or that she would of late

Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?

What could have made her peaceful with a mind
That nobleness made simple as a fire,

With beauty like a tightened bow, a kind

That is not natural in an age like this,

Being high and solitary and most stern?

Why, what could she have done being what she is?
Was there another Troy for her to burn?

What Riches Have You

Listen to:

What Riches Have You (:59)

  by George Santayana  

performed by Bob Gonzalez, rhapsode

SONNET 29

                                                            

What riches have you that you deem me poor,

Or what large comfort that you call me sad?

Tell me what makes you so exceeding glad:

Is your earth happy or your heaven sure?

I hope for heaven, since the stars endure

And bring such tidings as our fathers had.

I know no deeper doubt to make me mad,

I need no brighter love to keep me pure.

To me the faiths of old are daily bread;

I bless their hope, I bless their will to save,

 And my deep heart still meaneth what they said.

It makes me happy that the soul is brave,

And, being so much kinsman to the dead,

I walk contented to the peopled grave.

The Tide Rises, the Tide Falls

Listen to:

The Tide Rises, the Tide Falls (1:06)

by Henry Wadsworth Longfellow 

performed by Bob Gonzalez, rhapsode

  The tide rises, the tide falls,

  The twilight darkens, the curlew calls;

  Along the sea-sands damp and brown

  The traveller hastens toward the town,

    And the tide rises, the tide falls.

  Darkness settles on roofs and walls,

  But the sea in the darkness calls and calls;

  The little waves, with their soft, white hands,

  Efface the footprints in the sands,

    And the tide rises, the tide falls.

  The morning breaks; the steeds in their stalls

  Stamp and neigh, as the hostler calls;

  The day returns, but nevermore

  Returns the traveller to the shore,

    And the tide rises, the tide falls.

From Fairest Creatures

Portrait of Sir John Scott

Listen to:

From Fairest Creatures (1:06)

by William Shakespeare 

performed by Bob Gonzalez, rhapsode

Sonnet I

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory:

But thou contracted to thine own bright eyes,

Feed'st thy light's flame with self-substantial fuel,

Making a famine where abundance lies,

Thy self thy foe, to thy sweet self too cruel:

Thou that art now the world's fresh ornament,

And only herald to the gaudy spring,

Within thine own bud buriest thy content,

And, tender churl, mak'st waste in niggarding:

Pity the world, or else this glutton be,

To eat the world's due, by the grave and thee.

Michael Robartes Remembers Forgotten Beauty

Listen to:

Michael Robartes Remembers Forgotten Beauty (1:24)

by William Butler Yeats 

performed by Bob Gonzalez, rhapsode

When my arms wrap you round I press

My heart upon the loveliness

That has long faded from the world;

The jewelled crowns that kings have hurled

In shadowy pools, when armies fled;

The love-tales wove with silken thread

By dreaming ladies upon cloth

That has made fat the murderous moth;

The roses that of old time were

Woven by ladies in their hair,

The dew-cold lilies ladies bore 

Through many a sacred corridor

Where such gray clouds of incense rose

That only the gods' eyes did not close:

For that pale breast and lingering hand

Come from a more dream-heavy land,

A more dream-heavy hour than this;

And when you sigh from kiss to kiss

I hear white Beauty sighing, too,

For hours when all must fade like dew

But flame on flame, deep under deep,

Throne over throne, where in half sleep

Their swords upon their iron knees

Brood her high lonely mysteries.

(from The Wind Among the Reeds)

Cosmopolite

Georgia Douglas Johnson

Listen to:

Cosmopolite (:41)

by Georgia Douglas Johnson 

performed by Bob Gonzalez, rhapsode

Not wholly this or that,
But wrought
Of alien bloods am I,
A product of the interplay
Of traveled hearts.
Estranged, yet not estranged, I stand
All comprehending;
From my estate
I view earth’s frail dilemma;
Scion of fused strength am I,
All understanding,
Nor this nor that
Contains me.

Miracles

Listen to:

Miracles (1:52)

by Walt Whitman 

performed by Bob Gonzalez, rhapsode

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the ships with men in them,
What stranger miracles are there?

Music

Listen to:

Music (:39)

by Percy Bysshe Shelley 

performed by Bob Gonzalez, rhapsode

Music, when soft voices die,

Vibrates in the memory—

Odours, when sweet violets sicken,

Live within the sense they quicken.

Rose leaves, when the rose is dead,

Are heaped for the belovèd's bed;

And so thy thoughts, when thou art gone,

Love itself shall slumber on.

A-Roving

Listen to:

A-Roving (:43)

by George Gordon, Lord Byron 

performed by Bob Gonzalez, rhapsode

So, we'll go no more a-roving

   So late into the night,

Though the heart be still as loving,

   And the moon be still as bright.

For the sword outwears its sheath,

   And the soul wears out the breast,

And the heart must pause to breathe,

   And love itself have rest.

Though the night was made for loving,

   And the day returns too soon,

Yet we'll go no more a-roving

   By the light of the moon.

Poetry

Listen to:

Poetry (1:58)

by Marianne Moore 

performed by Bob Gonzalez, rhapsode

I, too, dislike it: there are things that are important beyond

      all this fiddle.

   Reading it, however, with a perfect contempt for it, one

      discovers in

   it after all, a place for the genuine.

      Hands that can grasp, eyes

      that can dilate, hair that can rise

         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because

      they are

   useful. When they become so derivative as to become

      unintelligible,

   the same thing may be said for all of us, that we

      do not admire what

      we cannot understand: the bat

         holding on upside down or in quest of something to 

eat, elephants pushing, a wild horse taking a roll, a tireless

      wolf under

   a tree, the immovable critic twitching his skin like a horse

      that feels a flea, the base-

   ball fan, the statistician--

      nor is it valid

         to discriminate against “business documents and

school-books”; all these phenomena are important. One must make

      a distinction

   however: when dragged into prominence by half poets, the

      result is not poetry,

   nor till the poets among us can be

     “literalists of

      the imagination”--above

         insolence and triviality and can present

for inspection, “imaginary gardens with real toads in them,"

      shall we have

   it. In the meantime, if you demand on the one hand,

   the raw material of poetry in

      all its rawness and

      that which is on the other hand

         genuine, you are interested in poetry.

Be Drunken

Starry Night by Vincent Van Gogh

Listen to:

Be Drunken (1:26)

by Charles Baudelaire 

translated by Arthur Symons

performed by Bob Gonzalez, rhapsode

Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.

Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.

And if sometimes, on the stairs of a palace, or on the green side of a ditch, or in the dreary solitude of your own room, you should awaken and the drunkenness be half or wholly slipped away from you, ask of the wind, or of the wave, or of the star, or of the bird, or of the clock, of whatever flies, or sighs, or rocks, or sings, or speaks, ask what hour it is; and the wind, wave, star, bird, clock, will answer you: "It is the hour to be drunken!" 

Be drunken, if you would not be martyred slaves of Time; be drunken continually! With wine, with poetry, or with virtue, as you will.

Love (III)

Listen to:

Love (III) (1:15)

by George Herbert 

performed by Bob Gonzalez, rhapsode

Love bade me welcome. Yet my soul drew back

                              Guilty of dust and sin.

But quick-eyed Love, observing me grow slack

                             From my first entrance in,

Drew nearer to me, sweetly questioning,

                             If I lacked any thing.

A guest, I answered, worthy to be here:

                             Love said, You shall be he.

I the unkind, ungrateful? Ah my dear,

                             I cannot look on thee.

Love took my hand, and smiling did reply,

                             Who made the eyes but I?

Truth Lord, but I have marred them: let my shame

                             Go where it doth deserve.

And know you not, says Love, who bore the blame?

                             My dear, then I will serve.

You must sit down, says Love, and taste my meat:

                             So I did sit and eat.