Poetry

Listen to:

Poetry (1:58)

by Marianne Moore 

performed by Bob Gonzalez, rhapsode

I, too, dislike it: there are things that are important beyond

      all this fiddle.

   Reading it, however, with a perfect contempt for it, one

      discovers in

   it after all, a place for the genuine.

      Hands that can grasp, eyes

      that can dilate, hair that can rise

         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because

      they are

   useful. When they become so derivative as to become

      unintelligible,

   the same thing may be said for all of us, that we

      do not admire what

      we cannot understand: the bat

         holding on upside down or in quest of something to 

eat, elephants pushing, a wild horse taking a roll, a tireless

      wolf under

   a tree, the immovable critic twitching his skin like a horse

      that feels a flea, the base-

   ball fan, the statistician--

      nor is it valid

         to discriminate against “business documents and

school-books”; all these phenomena are important. One must make

      a distinction

   however: when dragged into prominence by half poets, the

      result is not poetry,

   nor till the poets among us can be

     “literalists of

      the imagination”--above

         insolence and triviality and can present

for inspection, “imaginary gardens with real toads in them,"

      shall we have

   it. In the meantime, if you demand on the one hand,

   the raw material of poetry in

      all its rawness and

      that which is on the other hand

         genuine, you are interested in poetry.

There Shines the Morning Star

Listen to:

There Shines the Morning Star (:58)

by Wallace Stevens 

performed by Bob Gonzalez, rhapsode

There shines the morning star! Through the forlorn

  And silent spaces of cold heaven's height

  Pours the bright radiance of his kingly light,

Swinging in revery before the morn.

The flush and fall of many tides have worn

  Upon the coasts beneath him, in their flight

  From sea to sea ; yet ever on the night

His clear and splendid visage is upborne.

Like this he pondered on the world's first day,

  Sweet Eden's flowers heavy with the dew;

And so he led bold Jason on his way

    Sparkling forever in the galley's foam;

  And still he shone most perfect in the blue,

    All bright and lovely on the hosts of Rome.

First published in The Harvard Advocate, LXVII, 2, 10 Apr 1899 

Winter

Listen to:

Winter (2:17)

by Samuel Johnson 

performed by Bob Gonzalez, rhapsode

No more the morn with tepid rays

Unfolds the flower of various hue; 

Noon spreads no more the genial blaze,

Nor gentle eve distills the dew.

The lingering hours prolong the night,

Usurping darkness shares the day;

Her mists restrain the force of light,

And Phoebus holds a doubtful sway.

By gloomy twilight half revealed,

With sighs we view the hoary hill,

The leafless wood, the naked field,

The snow-topp'd cot, the frozen rill.

No music warbles through the grove,

No vivid colours paint the plain;

No more with devious steps I rove

Through verdant paths, now sought in vain.

Aloud the driving tempest roars;

Congeal'd impetuous showers descend;

Haste, close the window, bar the doors,

Fate leaves me Stella, and a friend.

In nature's aid let art supply

With light and heat my little sphere;

Rouse, rouse the fire, and pile it high;

Light up a constellation here.

Let music sound the voice of joy!

Or mirth repeat the jocund tale;

Let love his wanton wiles employ,

And o'er the season wine prevail.

Yet time life's dreary winter brings,

When mirth's gay tale shall please no more;

Nor music charm, though Stella sings;

Nor love, nor wine the spring restore.

Catch the, O! catch the transient hour,

Improve each moment as it flies;

Life's a short Summer - man a flower,

He dies - alas! how soon he dies!

London

Listen to:

London (:59)

by William Blake

performed by Bob Gonzalez, rhapsode

I wander thro' each charter'd street,
Near where the charter'd Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg'd manacles I hear

How the Chimney-sweepers cry
Every blackning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls

But most thro' midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse

A Poison Tree

Listen to:

A Poison Tree (:57)

by William Blake

performed by Bob Gonzalez, rhapsode

I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.

And I waterd it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.

And it grew both day and night.
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.

And into my garden stole,
When the night had veild the pole;
In the morning glad I see;
My foe outstretched beneath the tree.

The Garden of Love

Listen to:

The Garden of Love (:49)

by William Blake

performed by Bob Gonzalez, rhapsode

I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut,
And Thou shalt not. writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore.

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.

The Smile

Listen to:

The Smile (:54)

by William Blake

performed by Bob Gonzalez, rhapsode

There is a Smile of Love
And there is a Smile of Deceit
And there is a Smile of Smiles
In which these two Smiles meet

And there is a Frown of Hate
And there is a Frown of disdain
And there is a Frown of Frowns
Which you strive to forget in vain

For it sticks in the Hearts deep Core
And it sticks in the deep Back bone
And no Smile that ever was smild
But only one Smile alone

That betwixt the Cradle & Grave
It only once Smild can be
But when it once is Smild
Theres an end to all Misery

To Morning

Listen to:

To Morning (:43)

by William Blake

performed by Bob Gonzalez, rhapsode

O holy virgin! clad in purest white,
Unlock heav'n's golden gates, and issue forth;
Awake the dawn that sleeps in heaven; let light
Rise from the chambers of the east, and bring
The honied dew that cometh on waking day.
O radiant morning, salute the sun,
Rouz'd like a huntsman to the chace; and, with
Thy buskin'd feet, appear upon our hills.

In a Library

Listen to:

In a Library (1:15)

by Emily Dickinson

performed by Bob Gonzalez, rhapsode

A precious, mouldering pleasure 't is
To meet an antique book,
In just the dress his century wore;
A privilege, I think,

His venerable hand to take,
And warming in our own,
A passage back, or two, to make
To times when he was young.

His quaint opinions to inspect,
His knowledge to unfold
On what concerns our mutual mind,
The literature of old;

What interested scholars most,
What competitions ran
When Plato was a certainty.
And Sophocles a man;

When Sappho was a living girl,
And Beatrice wore
The gown that Dante deified.
Facts, centuries before,

He traverses familiar,
As one should come to town
And tell you all your dreams were true;
He lived where dreams were sown.

His presence is enchantment,
You beg him not to go;
Old volumes shake their vellum heads
And tantalize, just so.